HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Nine
Hey Space Travellers,
Are we ready for another incredible episode of Hyperspace?
Episode 139 is here, and these artists are out of this world.
Fasten your seatbelts and get ready to depart!
Allegra – “Wildfire”
Let’s start this incredible episode with an incredible artist: Allegra is back, and she’s turning up the heat with Wildfire, a track that feels like it was built to light up dancefloors and festivals alike. After flexing her vulnerable side on “Unsent Love Letters Vol. 1″, she swings back into full-on anthem mode, reminding us why she’s one of the UK’s fastest-rising pop forces.
“Wildfire” flickers straight away with a steady vibe before exploding into a euphoric chorus that’s pure hands-in-the-air energy. Allegra’s vocals are the star here: tender in the verses, and powerful when the hook hits. It’s the kind of balance that shows her versatility: intimate enough to connect, but bold enough to command a crowd.
The metaphor of fire is flipped into something uplifting, not destruction, but passion and unity. With Tim Gosden’s solid production and Becky Smith’s lyrical touch, the track burns with addictive beats and undeniable purpose. This tune is literally a call to spark connection and let love spread like flames!
Great Adamz – “Funke”
Great Adamz is on absolute fire right now, and his latest hit “Funke” is the perfect proof. The Nigerian-born, UK-based star has been grinding for years, and it feels like everything’s clicking at once. Fresh off his debut album “Blessed Boy” and a string of chart-topping singles, he’s dropped the visuals for “Funke “, and the track’s already tearing up playlists, racking up streams, and sparking a dance craze online.
Sonically, “Funke” is pure sunshine. The groove locks in from the first beat, with that classic Afrobeat bounce that makes it impossible to sit still. Adamz’s smooth vocals go smoothly over the rhythm, switching between laid-back charm and soulful fire. It’s playful, romantic, and straight-up infectious, the kind of tune that gets stuck in your head and pulls you back for another spin.
With awards stacking up and festival slots lined up, Great Adamz is proving he’s not just riding the Afrobeats wave; he’s helping lead it!
Tyye – “whole thing”
TYYE is here, surprising us with his new single “whole thing”! Released just a week ago, it’s clear that this track marks the start of a whole new chapter. Known for his R&B-leaning sound, the Kansas City artist leans deeper into pop on this one, pulling inspo from The Weeknd, Glass Animals, and even a little Ariana flair, and the result hits different.
The song was made with local producer Braxton Medellin in a home studio setup, which gives it that raw, intimate energy but still feels polished enough to sit next to the big names. This wonderful single layers moody textures with a beat that sneaks under your skin, balancing melancholy with a bounce that keeps you hooked.
Lyrically, it cuts deep. TYYE captures the ache of loving someone who never fully gave the same back, turning heartbreak into something cinematic. With an EP on the way (yes, we can’t wait to listen to it), “whole thing” feels like the glow-up moment where TYYE fully steps into his lane.
Blind Man’s Daughter – “Quiet Love & Bullets Lie”
Ashley Wolfe, aka Blind Man’s Daughter, is back doing what she does best: pushing boundaries and pouring raw honesty into her music. Her single “Quiet Love & Bullets Lie” slides into the alt-pop lane but still carries that cinematic punch and emotional weight fans know her for. Ashley’s five-octave range is straight-up wild: she can go from whisper-soft vulnerability to powerhouse belts that hit you in the chest.
The track dives into betrayal, silence, and the messy corners of love, all wrapped up in a moody, atmospheric production that builds like a storm. It’s not just a song you listen to, it’s one you feel deep in your bones. Her fearless storytelling and human touch cut through the noise in an industry drowning in algorithms.
With plans to keep dropping new music every three weeks, Ashley is literally building a movement. “Quiet Love & Bullets Lie” is proof that Blind Man’s Daughter is here to stay, and she’s only getting sharper!
Eddie Witz and The Most High – “My Island”
Eddie Witz and The Most High bring us a vibe that feels less like a single and more like a soul cleanse. “My Island” is roots folk reggae at its core, but the layers go way deeper: hypnotic melodies, chakra-aligned frequencies, and a spiritual glow that turns the whole thing into a meditative trip. Think Kingston sunshine meets Byron Bay stillness.
Originally tied to Jeff Barry’s classic “Montego Bay”, Witz takes the torch and reimagines it for a new era, with legends like Sly Dunbar on drums and Robbie Lyn on keys holding down the groove. Eddie’s warm, poetic delivery makes the track hit like a hug for the spirit, and knowing his backstory (fighting through Ramsay Hunt Syndrome and rebuilding his voice through sheer resilience) just adds extra weight to every note.
For us, this song is an escape hatch from the noise of modern life: an open invitation to slow down, breathe, and realign.
Mike Stewart Theory – “It Reaches Us”
Have you ever heard of pure cosmic groove? Well, Mike Stewart Theory got us covered with his single “It Reaches Us”. Psychedelic swirls, indietronic textures, and a cheeky 80’s soul bounce all fuse into a track that feels like a kaleidoscope blasting out your speakers! Definitely not background music: it’s the kind of joint that makes you crank the volume and let your body catch the rhythm.
The single pulls inspiration from eclipses, starlight, and that trippy realization that the glow we see from the stars left them forever ago. Heavy stuff, but it’s wrapped in such playful energy that you can dance to it while still low-key contemplating the universe. Mike slides into falsetto for the first time (channeling a bit of Pharrell), and it works, especially against Marcus Praed’s Moog synth lines and Julio Figueroa’s splashy drums (very unique sounds!!).
As the first taste of the upcoming Mikey2Hats Birthday album, this track proves what Mikey does best: bending genres, mixing fun with depth, and reminding us that groove really is in the heart.
Erotika Dabra – “EAT ME/DRINK ME”
Erotika Dabra isn’t here to play safe, and “EAT ME/DRINK ME” proves it. This track hits like a jolt of raw voltage straight out the underground, dripping with sweat, sex, and self-liberation. The bass creeps in like a predator, glitchy thumps grind against each other, and suddenly you’re locked inside a hypnotic groove that feels more like a body than a beat. It’s not polished pop shine.. It’s dirty, physical, and alive!
What makes it stand out is how deeply Erotika’s pole dance roots bleed into the music. Every sound feels like muscle tension, every pulse like a breath held before release. The vocals don’t just sit on top, they slither through the mix: commanding, intimate, sometimes like whispers from the subconscious.
This isn’t for radio playlists or background vibes. It’s for sweaty basement clubs, for misfits and outsiders chasing freedom in the dark. A rebellious manifesto in sound: bold, ferocious, and unforgettable.
Creatures of the Edge – “Wolves Eve”
Creatures of the Edge is here with a track that feels like crawling into a fever dream at the crossroads of rock, EDM, and pure imagination. “Wolves Eve” doesn’t just nod to influences like Detox Unit or Clozee, it grabs them, twists them, and drags them through a Stephen King-inspired soundscape that’s equal parts eerie and electrifying.
This tune is dripping with authenticity and an incredibly unique sound: live guitars, bass, percussion, and even a tambourine loop laid down by his 5-year-old daughter. Then, just when you’re vibing with the organic funk and cinematic tension, he throws down a dubstep drop sharp enough to rattle the walls. It’s wild, unexpected, and ridiculously fresh!
“Wolves Eve” feels like a saloon showdown scored by a future rave: dark, funky, and cinematic all at once. Justin proves you don’t need loops or AI tricks to push boundaries. This is raw vision, pure craft, and a sound that’s uniquely his.
Ultra Funkular Sound – “Bluebells”
We are ready to step into a secret world we didn’t know we needed, with the latest single from Ultra Funkular Sound called “Bluebells”. It’s smooth, spacious, and drenched in those dreamy synths that feel like they’re wrapping around you on a late-night walk. The groove is light on its feet: soft kicks, crisp layers, and pluck melodies that sparkle like little fireflies in the dark.
What really pulls you in is the way the vocals melt into the chords, almost like another instrument weaving through the mix. There’s something hypnotic about it: intimate but still big enough to make you feel like you’re floating in open air. It’s the kind of track that works just as well in your headphones at 2am as it would with a crowd swaying in unison.
Recorded at home, but sounding like it was crafted in its own universe, “Bluebells” is a reminder that the most magical sounds often come from the most personal spaces.
Horizonte Lied – “Oculto En Tus Ojos [Remastered Edition]”
Last but not least, we’ll dive into the shadowy grooves of Horizonte Lied and their latest drop, “Oculto En Tus Ojos [Remastered Edition]”, which hit like a blast from the past with a fresh twist. It’s all about that tangled web of love’s mysteries: the uncertainty, the head games, the self-deception when you’re crushing hard, but the future’s so foggy you can’t see. Channeling Depeche Mode’s “Songs of Faith and Devotion” era, this single hits with dark synths, groovy beats, and edgy, organic vibes that pull you into an introspective haze.
Led by producer Alex Ezert and sound wizard Bernardo H. Garza, this remaster’s got extra heart because it’s the last collab with OG lyricist Ernesto DuSolier before he bounced in 2004. This album evolved from an old Impulse Tracker demo to a slick DAW polish.
If you’re craving synth-pop laced with darkwave and industrial edge, this one is a moody gem that’ll linger in your skull. Straight fire for those late-night vibes!
