HYPERSPACE: Best Discoveries of the Week – Episode 161
Hey Space Travellers,
Are we ready for another incredible episode of Hyperspace?
Episode 161 landed, fasten your seatbelts and get ready to depart!
Moon Construction Kit – “Snake charmer”
You guys know those songs that feel kinda dreamy at first, and then slowly mess with your head a bit? Yeah, the first track of this episode is one of those.
Moon Construction Kit really dives into a cool, hazy vibe on “Snake Charmer”, blending that vintage psych-pop feel with something more modern and introspective. It’s got this soft, glowing sound: shiny guitars, mellow keys, and a slightly nostalgic tone that pulls you in without expecting it.
The contrast here is amazing.. Beneath the pretty, almost comforting production, there’s a deeper message about addiction and self-deception. It’s that moment when you realise something you trusted might actually be doing damage, and the track captures that feeling without being too heavy about it.
The vocals stay calm and hypnotic, almost like they’re guiding you through the whole experience. Then as it builds, everything opens up into a bigger, more cinematic sound without losing that intimate touch.
This is vibey, a bit trippy, and low-key emotional tune, one of those tracks you just let play and get lost in!
Johnno Casson aka Snippet – “Soft Lad”
The disarming project of Johnno Casson called “Soft Lad” is the kind of album that doesn’t try to grab you straight away, but slowly settles in until you realise you’ve been living inside it for a while..
Johnno Casson, aka Snippet, leans into a stripped-back, lo-fi aesthetic that feels less like a stylistic choice and more like a necessity turned into strength. Built from reel-to-reel textures, wonky synths, sampled fragments, and minimal instrumentation, the album carries a raw, handmade quality that immediately sets it apart from more polished, modern productions. It’s imperfect in all the right ways: alive, warm, and deeply human.
The emotional honesty is what we liked the most here. There’s a strong undercurrent of introspection running through all fifteen tracks, touching on themes of survival, illness, love, and self-reflection. Instead of dramatizing these ideas, Snippet presents them in a grounded, almost conversational way, which makes the album feel personal and relatable rather than performative.
This incredible project moves at its own pace. It sits comfortably in a downtempo, lo-fi hip-hop and alternative pop space, but it’s fluid, sometimes hazy and melancholic, other times subtly uplifting. As the album unfolds, small shifts in mood and texture keep things engaging, with occasional lighter touches bringing a sense of openness and quiet optimism.
This album really stands out not because it tries to be groundbreaking, but because it feels genuine. It’s the sound of an artist adapting, simplifying, and, in the process, getting closer to the core of what makes their music resonate. It may be understated, but it leaves a lasting impression, the kind that grows stronger the more time you spend with it.
KillaHrtz – “Sumn’ Lite Sumn’ Nyce”
“Sumn’ Lite Sumn’ Nyce” makes it clear that the title is a bit of a misdirection, but like a very cool plot twist. What KillaHrtz delivers here is far from “lite”; it’s a tightly constructed EP that balances grit, reflection, and atmosphere with impressive control.
At its core, the project thrives on contrast. The natural flow between harder, street-driven energy and more laid-back, introspective moments gives the EP a dynamic feel without ever losing cohesion. The production is the real anchor: clean, deliberate, and full of subtle detail. KillaHrtz knows when to let a beat hit hard and when to pull things back, creating space for mood and texture to breathe.
What really elevates the project, though, is its collaborative spirit. The roster of voices never feels overcrowded; instead, each contribution adds to a wider sense of community and shared vision. It feels curated rather than compiled.
This EP blends underground authenticity with polished execution, proving that balance between vibe and substance can be done right.
Transglobal Underground – “Doin’ the Moonshine”
If you’re ready for a kaleidoscopic ride, Transglobal Underground delivers exactly that with “Doin’ the Moonshine”. Celebrating 35 years of genre-bending, the collective proves once again why they remain impossible to pin down: part global fusion ensemble, part electronic experiment, and entirely irresistible on the dancefloor!
The track introduces their new “Digisquaredance” approach, blending electronic beats with a playful, barn-dance swagger. It’s a joyous collision of rhythm and melody, where synths, percussion, and even a touch of sitar (courtesy of Sheema Mukherjee on the bonus track) mingle like crazy! There are soulful grooves, rap verses, and electronic textures, but “Doin’ the Moonshine” adds a fresh, almost mischievous energy that feels celebratory and uncontainable.
At once familiar and new, the release reminds us why Transglobal Underground has always thrived on creative unpredictability. It’s danceable, vibrant, and layered with the collective’s signature global sensibility; proof that even decades into their career, they are still setting the pace for adventurous music.
Vthatguy – “Can’t Believe It / Held Me Down”
Sometimes the best introductions don’t shout, but just get in quietly, and Vthatguy does exactly that with his latest project “Can’t Believe It / Held Me Down”, offering a double single that feels intimate and extremely polished.
This release works as a study in contrast. On one side, there’s a reflective energy that leans into vulnerability and atmosphere; on the other, a brighter and more rhythmic sound that brings movement without losing emotional depth. Together, the two tracks create an outstanding listening experience that mirrors the highs and lows of relationships and personal growth.
The cohesion of Vthatguy’s sound is incredible: his vocals have a smooth, controlled confidence, sitting perfectly within productions that feel clean, layered, and intentional. There’s a cinematic quality to it all, where each element is carefully placed and never overworked.
This is modern R&B with a soulful core, driven by storytelling and mood. As a preview of what’s to come, “Can’t Believe It / Held Me Down” positions Vthatguy as an artist focused on connection over noise, and it works beautifully.
Nilsa No One – “Annihilation”
“Annihilation” will literally drag you under slowly, almost without you noticing. That’s exactly what Nilsa No One does, unfolding like a spiral you’re oddly comfortable staying inside.
Leaning into a heavier, grunge-inspired sound, the track is driven by a hypnotic bassline that anchors everything in place. The guitars don’t explode, instead they grind, creating a sense of tension that never fully releases. It gives the song a steady, almost addictive momentum, mirroring the themes it explores.
Vocals are strong and always in control. Nilsa moves between softer, reflective moments and full, belting intensity with purpose, letting the emotion build naturally rather than overwhelming the listener too early. It makes the track feel lived-in and genuine.
On the surface, it feels like a reckless anthem, but underneath there’s a sharp awareness of self-destruction, addiction, and the illusion of control. That contrast gives this single its incredible edge.
It’s bold, a little unsettling, and deeply honest: a track that doesn’t just hit, but sticks in your mind after the first listen.
Rellyo Bambini – “Cloned and Upgraded, Insert Soul Here”
Now we got the striking project of Rellyo Bambini called “Cloned & Upgraded, Insert Soul Here (Rebirth Edition)”. This will pull you in: it doesn’t feel like a typical album, but more like stepping into a fully built world, and such a wonderful one!
Rellyo Bambini approaches this project with a bold vision, blending electronic textures, psychedelic hip-hop, and futuristic rock into a sound that feels all its own and carefully designed. It’s one of those records where genres don’t really matter anymore.. the focus here is on atmosphere, emotion, and concept. Everything feels interconnected, like different scenes in the same universe.
At the heart of the album is a question that quietly runs through every track: what does it mean to be real in a world where everything can be copied, edited, and upgraded? Instead of answering it directly, this incredible artist lets the music explore it from different angles. Some moments feel playful and confident, others more introspective and even uneasy, but they all contribute to this bigger, immersive narrative.
The production here is a standout: polished, rich, lush synths and distorted beats.. this is an unpredictable album (in a good way), that constantly shifts without losing its unique identity.
This outstanding project stands out as a fearless, genre-bending project that values creativity over convention. It’s immersive, a bit messy at times, but intentionally so, like a digital world glitching just enough to remind you there’s still something real inside it. Wonderful work here, you guys don’t really want to miss this journey!
