HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Eight
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Hilgrove Kenrick & Nick Norton-Smith – “Sylph”
Today we are going to bring you Hilgrove Kenrick and Nick Norton-Smith, who really cooked up something special with their latest project, “Sylph”. This isn’t your average “stick it on in the background” type of record.. it’s more like a soundscape that slowly wraps itself around you until you’re fully inside it. The soprano sax soars right over a lush mix of orchestra and synths, giving the whole thing this weightless, almost otherworldly vibe.
Recorded live in London and polished in Worcestershire, the production is crazy detailed; every note feels like it’s been placed with intention. There’s a real balance here: one foot in the classical world, the other in cinematic electronica. The result is that kind of music that feels ancient and futuristic at the same time.
What hits hardest is the mood. It’s soothing without being sleepy, uplifting without forcing it, perfect for meditation, late-night thinking, or just zoning out with good headphones. This EP shows that Kenrick and Norton-Smith aren’t chasing trends; they’re building whole universes. This is soul balm music, pure and simple.
Consequential – “Cravin'”
Consequential comes in swinging with a hit called “Cravin’”, a debut that makes it crystal clear they’re not here to play it safe. This track definitely flexes that sweet spot between liquid drum and bass, trance shimmer, and dub grit; the kind of fusion that feels both hypnotic and high-energy. You can throw it on for a late-night drive, zone in while working, or just let it soundtrack your weekend come-up.
The production is mad detailed too: all built in the box, with little real-world touches that give it character. Case in point: a cheeky sample of Consequential’s dog catching a tennis ball, which somehow fits perfectly into the groove (let us know if you can spot it!). It’s playful but still serious about its craft, showing off a producer who knows how to balance precision with personality.
At the core, this incredible single is bass-heavy, layered, and full of motion. It’s a bold first step that doesn’t just introduce Consequential, it announces them. Big vibes, bigger promise!
BC25 – “Blue Thread”
BC25 single’s “Blue Thread” surely feels like stumbling onto a secret you weren’t supposed to find, but one that stays with you forever. The Freiburg duo (Vela Sorell and Barbonus) built this one out of fragments from a late friend’s lost recordings, and the result is hauntingly intimate. You can hear that “less-is-more” approach in every corner: warm acoustic guitar recorded so close it’s like it’s breathing in the room with you, and Vela’s vocals gliding through the mix like smoke in still air.
It’s not a track that tries to dazzle with layers or big production tricks; instead, it leans on honesty, space, and the raw weight of emotion. Lyrically and sonically, it taps into the fragile threads of human connection, the kind you clutch tight even knowing they can fray at any moment.
“Blue Thread” is more than just a song: it’s memory stitched into melody. Quiet, timeless, and real, this is BC25 at their most soulful and sincere. Don’t miss this out!
Cedric D – “What I See Remix”
Cedric D brings us his remix of “What I See”, and hits like a late-night drive where every streetlight feels like it’s got something to say. This time, Cedric takes his already powerful original and flips it into something deeper, moodier, and way more cinematic. Built on that smooth blend of synths, warm pads, and piano flourishes, the remix feels both old-school vibey and fresh enough to keep you locked in.
What really stands out here is the emotion baked into the track. Cedric’s process, starting with the instrumentals and letting the vocal hooks fall into place, definitely shines here. Those layered vox and that delayed female hook give the song this dreamy weight, almost like it’s echoing your own thoughts back at you. And the message? Heavy but universal: a reminder that what we “see” is always filtered through our own bias and experience.
It’s soulful, it’s thoughtful, and it bumps. Classic Cedric D: groove with meaning!
The Double Headed Seagulls – “Play Artful”
The Double Headed Seagulls’ upcoming album Play Artful is a mesmerizing blend of lo-fi electronica, dreamy synthwave, and jazz guitar, crafted from forgotten cassette fragments recorded during the making of their 2011 record Slimline. Reworking these lost pieces into something entirely new, the duo creates a lush, playful soundscape where digital synths, textured feedback, and intricate guitar modulations collide.
Influences from Brian Eno, Four Tet, Pat Metheny, and Radiohead subtly seep through, but the result feels distinctively their own — both experimental and inviting. Unlike the noisy seriousness of Slimline, this record leans into energy and melody, balancing ambient depth with propulsive grooves and unexpected bursts of color.
At its core, Play Artful celebrates creativity without restraint, capturing a childlike curiosity while maintaining masterful technical control. It’s immersive, inventive, and bound to delight listeners eager for sonic exploration.
peejmudd – “Nobody is Coming to Save Us”
peejmudd’s Nobody is Coming to Save Us is a beautifully haunting exploration of cinematic electronica, blending minimalist strings with glitch-driven beats to create an atmospheric and emotionally charged soundscape.
Influenced by Kiasmos, Moby, Nine Inch Nails, and Boys Noize, the track feels intimate yet expansive, balancing fragile melodies with pulsating electronic textures. Recorded in his home studio, Pichikin Recordings, it captures a raw, personal energy that mirrors the artist’s journey through grief, resilience, and self-discovery.
With his first-ever live performance set for the Legacy Stage Fringe Festival, this release marks a defining moment in peejmudd’s evolution, showcasing his ability to turn vulnerability into sonic storytelling. It’s an immersive listening experience where every loop and layer feels intentional, pulling you deeper into its evocative mood.
Tim – “Solo”
Solo, from the mixtape Pink, is an immersive and deeply personal track that blends soothing, dreamlike vocals with vivid storytelling about coming of age and stepping into adulthood. The song reflects on nostalgia, ambition, and the bittersweet transition from teenage freedom to adult responsibility, painting raw, intimate images of growing up, longing for stability, and dreaming of something bigger.
Its smooth, atmospheric production carries a meditative quality, wrapping the listener in soft layers of sound that feel both comforting and introspective. At times, the emotional depth and stream-of-consciousness style evoke shades of Frank Ocean, drawing you into a similar world where memory and fantasy intertwine.
Solo is more than a track; it’s an invitation into the artist’s inner universe, offering a soothing yet reflective experience perfect for late-night listening or quiet moments of self-discovery.
AveragJo – “Why Criticize”
AveragJo’s Why Criticize is a smooth yet thought-provoking track that blends laid-back vibes with a message that hits deep.
Built on Treelo’s clean, understated production, the track layers mellow beats with heartfelt lyricism, creating a sound that feels both chill and weighty. AveragJo’s introspective delivery and honest storytelling invite listeners into his world, exploring themes of judgment, self-acceptance, and growth.
With subtle influences from Kendrick Lamar and J. Cole, the song balances conscious rap with a catchy, melodic hook, making it relatable and easy to vibe with. +
Featuring a strong verse from his brother Wove, Why Criticize stands out as an authentic snapshot of AveragJo’s artistry, pairing emotion with effortless groove in a way that lingers long after the track ends.
LX8 – “Ghosts of Sound – TANIT TRANCE ANTHEM”
LX8’s Ghosts of Sound – TANIT TRANCE ANTHEM is an exhilarating fusion of euphoric trance and Mediterranean mysticism, weaving together lush synth pads, hypnotic darbouka rhythms, Berber flute, and oud to create a soundscape steeped in ancient Carthage and the lore of the Phoenician goddess Tanit.
This immersive track offers both a sprawling six-minute club mix and a tighter four-minute radio edit, inviting listeners into the expansive universe of The Panharmonion Chronicles, Henry Chebaane’s multi-layered graphic novel series.
Bridging pulsating EDM energy with cinematic depth, LX8 crafts a transcendental journey that blurs the lines between music, mythology, and science fiction. It’s an anthem built for dance floors but layered with storytelling ambition, designed to captivate both trance lovers and narrative-driven listeners alike. With its bold blend of cultural soundscapes and futuristic vision, this release positions LX8 as one of the most distinctive voices in modern electronic music.
Leather Laces – “Marching in the Fog”
Leather Laces are back in stealth mode with “Marching in the Fog”, and this one creeps up on you like a ghost squad in the dead of night. The third single from the cyber-militant crew swaps the all-out assault of “Rocket Launcher” and “Heavy Machine Gun” for something slower, heavier, and way more haunting. It’s less a sprint into battle and more a ritual march: tense, inevitable, and dripping with menace.
The track is built on a wall of distortion: scorched guitars grinding against subterranean synths, while the drums slam like radar pings echoing through smoke. One moment you’re dragged into the haze, lost in a digital blur, the next you’re yanked back into the strike zone with force. It’s cinematic, it’s militant, and it’s got that infiltrator vibe that makes you feel like you’re part of some cyberpunk op.
With this release, Leather Laces prove again they’re masters of suspense and impact! Don’t miss this one out!
HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Seven
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Dax – “Man I Used To Be”
Dax is opening this episode with his new joint “Man I Used To Be”, and once again, he doesn’t disappoint us. Coming out of six months alcohol-free, Dax tapped into a level of clarity that bleeds through every lyric. We can definitely feel the weight of his journey: the honesty, the grind, the growth, all wrapped in a soulful R&B groove that flips the script on what folks might expect from him. Yeah, we know he can rap circles around most, but here? He literally sings, and that raw, emotional tone hits harder than any bar could.
Produced in Nashville by Jimmy Robbins, the instrumentation is stripped back but powerful: warm guitars, steady bass, and backing vocals that lift the whole thing without stealing the spotlight. It feels intimate, like you’re sitting in the room with him while he pours it out.
With the “Lonely Dirt Road Tour” coming in October, this release sets the stage for a new chapter. It’s vulnerable, it’s real, and it proves Dax isn’t just making songs; he’s telling stories that stick.
Sabrina Nejmah – “Deep End”
We’re now introducing Sabrina Nejmah, stepping out strong with her debut single “Deep End”, and it’s the kind of first impression that makes you stop and pay attention. At just 16, the Hamburg-born singer already shows a crazy mix of maturity and freshness. Written with her dad, Norman Astor (a jazz bassist himself), the track carries that timeless, jazzy undercurrent while still feeling modern and relatable. It’s all about breaking free from surface-level connections and chasing something with real depth: a message that hits no matter your age.
Musically, this single leans into a retro vibe with smooth chord progressions and a laid-back groove, but Sabrina’s voice is the real highlight: warm, emotive, and wise beyond her years. There’s a bittersweet edge in how she delivers it, balancing nostalgia with a hunger for something more.
It’s catchy, thoughtful, and straight-up impressive as a debut. If this is the starting point, Sabrina Nejmah’s future looks like it’s headed way past the shallow end.
Dale Frost – “Things You’re Not Sorry For”
Dale Frost’s new single “Things You’re Not Sorry For” hits like one of those late-night talks you didn’t plan on having, but end up needing. Living out in rural Georgia, Dale’s got a knack for pulling raw honesty out of everyday heartbreak, and this track is no different. It’s all about trying to forgive someone who never even bothered to say “my bad”: that messy, awkward middle ground where closure feels like DIY work.
The production is slow-burning, with laidback beats that hum under the surface, sweet one moment and sharp the next. It’s got that buzzing tension that feels like your chest right after a breakup: it’s unsettled but alive. Dale’s vocals cut right through, warm but carrying that slight rasp that says they’ve lived this story, not just written it.
There’s no sugarcoating here, no romanticizing the pain. Instead, Dale delivers it with resilience, wit, and a touch of small-town storytelling that makes the personal feel universal.
MrZnote – “Boathouse Row”
MrZnote’s “Boathouse Row” is a raw, confessional anthem that captures the emotional weight of self-discovery and acceptance. Drawing influence from icons like Eminem, DMX, Nas, and Jay-Z, he channels their lyrical honesty while carving out his own distinct voice.
The track blends vulnerability with determination, confronting years of feeling out of place and reclaiming the confidence to stand unapologetically in his truth.
Recorded entirely in his self-built home studio, the single carries a deeply personal resonance — every lyric and delivery feels intentional and unfiltered. With Petrofsky Beats on production and Madrug handling the mix, the sound is polished yet grounded, complementing MrZnote’s emotive storytelling. “Boathouse Row” stands as both a declaration and a turning point, marking the start of a new chapter for an artist who refuses to compromise his authenticity.
Mark Masguro – “B-Emo To be Emotional is not a Suggestion It is the Lifestyle.”
Mark Masguro’s album B-Emo: To be Emotional is not a Suggestion It is the Lifestyle is a cinematic and emotionally charged body of work that fuses nostalgic influences with a modern electronic sensibility.
Drawing from Italo-disco, hip-hop, trance, synth-wave, and cinematic ambient sound design, Masguro crafts a sonic palette that feels both timeless and fresh, with every track carrying a strong sense of personal storytelling. Songs like Whispers and Devil’s Trap highlight his ability to balance raw emotion with infectious energy, pulling listeners into a soundscape that is as danceable as it is reflective. Entirely self-produced in his home studio, the album reflects years of experimentation and dedication, blending analog textures with digital layers to create a distinct atmosphere that feels handcrafted and authentic.
What makes this record stand out is its ability to bridge the gap between memory and innovation, transporting listeners through a journey that honors Masguro’s past influences while carving out a bold, modern identity. It’s a project designed not just to be heard but to be experienced in full, offering moments of cinematic immersion that resonate long after the final track fades.
Kojo Rigault – “Cruisin”
Kojo Rigault’s cover of Smokey Robinson’s Cruisin’ is a smooth, reggae-infused reinterpretation that radiates charm and heartfelt intimacy.
Kojo’s soulful vocals flow effortlessly, capturing the romantic essence of the original while adding his own warmth and personality. The arrangement blends silky guitars, lush production, and subtle Caribbean influences, giving the track a fresh yet nostalgic feel.
The saxophone glides beautifully over the melody, adding depth and elegance that elevate the listening experience. This is the kind of tune that sets the mood perfectly, whether you’re driving at sunset, relaxing at home, or sharing a quiet moment with someone special.
Kojo manages to honour a timeless classic while imprinting it with his own signature style, making Cruisin’ feel both familiar and brand new.
Kristen Banana – “Lanternbones and Ghosts”
Kristen Banana’s debut album Lanternbones and Ghosts is a dream pop journey that lingers long after the last note fades. With cinematic textures and layered harmonies, Kristen crafts an immersive soundscape where grief, memory, and survival intertwine like shifting light through forest branches. Her breathy, intimate vocals carry the weight of personal transformation, drawing listeners into moments that feel fragile yet luminous.
Tracks like Aurora’s Dance shimmer with a sense of rebirth, capturing the awe of chasing Northern Lights alone in Alaska, while Mosslight glows softly, a tender meditation on finding quiet strength without the need to shine. Ghosts in the Evergreen brings haunting imagery to life, inspired by the discovery of a real plane wreck in the Alaskan wilderness, and You Tried to Fix Me stands out as a powerful reclamation of self, turning the sentiment of Coldplay’s Fix You into an anthem of healing on your own terms.
This is an album meant to be absorbed slowly, with headphones on and the lights low — an intimate companion for anyone learning to hold both loss and hope in the same breath. Lanternbones and Ghosts doesn’t just tell a story; it creates a world.
Pedro Mulix – “3 de Azucar y 2 de café”
Pedro Mulix comes through smooth and fiery on “3 de Azúcar y 2 de Café”, a track that feels like both a secret code and a straight-up invitation. It’s playful, it’s flirty, and it’s dripping with that late-night energy where romance turns into rhythm. Pedro calls it a “Kizomba romántica,” but it’s really his unique blend of Latin pop grooves with a touch of global flavor that makes it pop.
The arrangement is classic yet fresh: live drums giving it heartbeat, piano licks dancing on top, and melodies that just lift you up. You can tell Pedro’s pulling from his rich heritage and mixing it all into something that feels timeless but still current. The vibe is warm, textured, and straight-up irresistible, like that perfect balance of sugar and coffee the title hints at.
It’s more than just a song, it’s a mood-setter. The kind of track you spin when you want the night to lean into romance, smooth and effortless.
HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Six
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Hannah Dorman – “You”
Hannah Dorman opens this episode with her latest release, “You”, flipping the script on her usual upbeat pop-rock energy, sliding into a softer, moodier lane that still packs a punch. As the B-side to “Bad Habit”, it’s got that ‘90s girlband undercurrent her fans have been buzzing about since the teaser dropped: bittersweet melodies, lush harmonies, and a touch of nostalgic shimmer.
The track unpacks the quiet wreckage after a relationship falls apart (whether love or friendship) when the haze lifts and you finally see why it was never right. Hannah’s vocals ride the line between tender and defiant, letting those moments of vulnerability hit just as hard as the bursts of clarity.
Musically, it’s all about contrast: mellow synth swells and clean guitar lines rubbing up against punching beats that keep things moving. It’s the kind of song you can cry to in your bedroom or blast on a late-night drive, making peace with the past while low-key dancing through it!
A slow-burn gem with real replay value, we loved that!
ColourTelly – “Breathe”
ColourTelly’s latest single “Breathe” is one of those tracks that feels like it was ripped straight from the headlines but filtered through a dreamlike haze. Evangeline Cunningham’s vocals float and cut at the same time: soft edges carrying sharp truths, while Ollie Chubb’s production wraps it all in that smoky, Portishead-inspired atmosphere. Joe Elliott’s sax creeps in like late-night city lights through rain-streaked glass, adding a haunting warmth to the chill.
Lyrically, “Breathe” doesn’t flinch. It stares down the corruption, chaos, and political madness of right now, speaking truths that feel dangerous but necessary. It’s protest music without the megaphone, more like a slow inhale before the shout.
The production is stripped but lush, giving space for every note to land heavy, and the gradual build pulls you in deeper with each listen. It’s beautiful, unsettling, and quietly defiant: the kind of song that lingers in your head long after the last breath fades.
Definitely a bold opener for their next chapter.
Calling All Astronauts – “Noise Against Tyranny”
Calling All Astronauts return with Noise Against Tyranny, a ferocious new chapter that cements their reputation as one of the U.K.’s most politically charged and uncompromising acts.
The duo — David B and Paul McCrudden — bring their signature collision of Electro, Goth, Post-Punk, Industrial Metal, and EDM into sharp focus, channeling the turbulence of the modern world into a sound that is both cathartic and confrontational. Four years in the making, the album brims with socio-political fire, moving seamlessly between brutal intensity and atmospheric experimentation, all tied together by an unrelenting industrial undercurrent.
Self-produced after working with double Grammy winner Alan Branch on past singles, the record finds them stepping up to the challenge with fearless conviction.
The result is an unflinching body of work that doesn’t just speak truth to power but roars it through walls of distortion, pulsing electronics, and darkly cinematic soundscapes — a bold manifesto for the times.
SERAh – “In Front of Me”
SERAh’s In Front of Me sets the stage for an ambitious sci-fi narrative with a cinematic spin on melodic bass. Built around emotional vocal chops from LLOVSA, shimmering synth layers, and a Deadmau5-like chord progression, the track unfolds with sweeping breakdowns and a darkly euphoric drop that balances power with elegance.
The production leans into progressive house sensibilities, pairing soaring melodies with soothing, meticulously crafted sound design that makes each transition feel seamless. More than just a single, it’s the first chapter of a 20-part animated series exploring Lyra’s World, a post-apocalyptic space fantasy that merges storytelling with electronic music.
With influences from MiTiS, Tails, and Codeko, SERAh delivers a debut that’s both technically polished and emotionally stirring, promising a larger journey that will captivate fans of cinematic EDM.
Richie Flo – “Reggae (Do What You Want)”
Richie Flo returns with “Reggae (Do What We Want),” a heartfelt ode to the genre that raised him and continues to shape his artistry.
Produced with House of Riddim and polished by Xavier Farre, the single carries an unmistakable island heartbeat despite being recorded in Toronto, glowing with warmth and authenticity. What makes it stand out is the way Richie personifies reggae itself, treating it as a timeless, captivating presence that feels both intimate and universal.
As the lead single from his upcoming EP St Thomas Mi Born, the track works like a love letter, reminding listeners that sometimes the most powerful songs are the ones that return to the roots. With vibrant artwork by Major Seppa and a live launch set for Toronto this summer, Richie sets the stage for a project that feels as much a personal milestone as a celebration of reggae in its purest form.
Ferdinand Rennie – “Someone to remember me (2025 Version)”
Ferdinand Rennie revisits “Someone to Remember Me” with a fresh remake that adds depth and modern flair to a song that has long held personal meaning for him.
Originally recorded in 2010, the new version—crafted with longtime producer Alan Vukelic—feels polished yet heartfelt, carrying the weight of experience while embracing a dynamic, contemporary sound. Rennie’s powerful vocal delivery underscores the ballad’s emotional resonance, making it both timeless and renewed.
As a seasoned performer with decades of international highlights—from Eurovision stages to appearances before royalty—he brings a gravitas that few can match. This latest release not only honors the song’s origins but also reaffirms Rennie’s place as a vocalist who can take a classic and breathe new life into it with elegance and conviction.
Lily Galin – “What’s your story”
Lily Galin brings us a tune that definitely hits different, called “What’s Your Story”: it’s not just a debut, it’s a straight-up open book moment. Coming from a small town in Lithuania and now repping Chicago’s vibrant scene, Lily pours every mile of her journey into this track. You can feel the late nights in the studio, the bar gigs, the years of quietly sharpening her pen before finally letting the world in.
The production’s clean but warm: modern beats glide under organic layers, giving her voice room to breathe. And the voice is exactly what we loved about the song, it literally lives in every word. There’s a calm confidence there, like she’s telling you her truth without needing to shout it.
The song’s hook is incredibly catchy; it’s like an invitation. She’s not just spilling her story, she’s asking for yours, pulling you into this shared space of scars, wins, and everything in between.
It’s personal, but it’s got that universal pull: exactly how a first big statement should sound.
Laoise Leahy – “Breathe In & Let Go EP”
Laoise Leahy brings us an incredible EP called “Breathe In & Let Go”, and let us tell you, it’s pure vibe therapy: a four-track journey that feels like slipping between worlds. One minute you’re floating in spacious, oceanic calm, the next you’re caught in groove-heavy hooks that pull you straight to the dancefloor of your mind. It’s jazz, it’s soul, it’s folk, it’s electronic, but never pinned down to one lane. Instead, Laoise lets the cracks and in-betweens breathe, and that’s where the magic lives.
The focus track “Let Go (La Da Da)” is a hooky alt-jazz gem with an addictive bounce, the kind of tune that sneaks into your head and refuses to leave. Meanwhile, “Breathe In” slows the pulse, giving listeners a meditative space to exhale. “Starlight” dazzles with moody, acid-jazz vibes, and the closer “A Timeless Place” does exactly what the title promises: suspends you outside time.
Backed by heavyweight players and shaped with producer Christian Best, this EP is both a shedding and a blooming. This is a solid project; you guys definitely can’t miss it.
HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Five
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
CROSSTOWN – “Rose-Colored Boy”
CROSSTOWN’s take on Rose-Colored Boy transforms the Paramore favorite into a sleek dance-pop and electro-infused anthem while keeping just enough of its pop-rock roots to honor the original.
Danny Mitchell’s emotive vocals glide over a glossy production layered with shimmering synths, punchy beats, and subtle guitar textures, while Lily Santos’ bass work locks in a groove built for the dance floor. The intimate home-recording process adds warmth to the polished finish, making it feel both personal and festival-ready.
It’s a reimagining that captures the spirit of the original but spins it toward late-night house parties and neon-lit cityscapes. With their debut album on the horizon, CROSSTOWN proves they know how to make a cover feel entirely their own.
Energy WhoresHey – “Hey Hate!”
Energy Whores’ Hey Hey Hate is a razor-edged electro-punk-pop anthem that turns the dance floor into a space for protest and reflection.
Carrie Schoenfeld’s commanding vocals ride over gritty synths, biting guitar lines, and a relentless beat, delivering a potent mix of urgency and groove. The track’s sharp lyricism confronts political division head-on, making every hook feel like both a rallying cry and a call to consciousness.
With its fusion of punk attitude, club energy, and subversive artistry, it cements Energy Whores’ reputation for music that moves bodies while sparking conversation. This is protest music with a pulse, as fearless as it is infectious.
Jace Mastra – “Locked Away”
Jace Mastra’s Locked Away is a moody, emotive single that channels the raw honesty of Juice WRLD and Post Malone while carving out its own intimate space.
Built from late-night freestyle sessions and refined through collaborative editing, the track captures the tangled rush of emotions sparked by seeing someone who means everything. Mastra’s vocal delivery balances vulnerability with confidence, riding over a smooth, melodic beat that keeps the mood both reflective and catchy.
It’s a deeply personal cut designed to resonate with anyone who’s wrestled with overwhelming feelings, proving Mastra’s gift for turning private moments into universally relatable music.
Exzenya – “Regulator or My Dopamine”
Exzenya’s Regulator of My Dopamine is a sleek, intoxicating blend of contemporary pop-R&B and soulful storytelling, turning the rush of all-consuming love into a lush sonic experience.
Her magnetic vocals glide over a hypnotic beat, weaving seductive melodies and layered harmonies with subtle world rhythms that add depth and allure. The track’s concept — comparing love’s highs to the brain’s dopamine surge — gives it a clever emotional core, making every lyric feel both intimate and universally relatable.
Fans of H.E.R., Jorja Smith, and Snoh Aalegra will find themselves hooked by the song’s warmth and sophistication. It’s a fearless celebration of connection at its most euphoric, delivered with style, confidence, and undeniable groove.
T.Y. – “DUE 4 A WIN”
T.Y.’s debut album “DUE 4 A WIN” is pure heart-on-sleeve storytelling with a grit that hits different. Dropped just a few weeks ago, the Jersey City wordsmith teams up with longtime friend and executive engineer Douggie to cook up a sound that’s as raw as it is soulful. Born from heavy life losses (including the tragic passing of his younger brother), this project is literally therapy on wax.
Tracks like “Rainfall “bleed emotion, with T.Y. laying bare his pain over a silky, relatable hook, while “New Drama” flips clever samples into bar-heavy fire. What makes it special? Nothing here was pre-planned.. it all came together naturally, almost like the album knew where it wanted to go.
With real-life scars fueling his pen, T.Y. turns grief into something triumphant. It’s vulnerable but confident, street but poetic: the kind of project that stays stuck in your playlist. After all, he’s DUE 4 A WIN… and this might just be it.
3RD3Y3 – “Aryeon Szela”
3RD3Y3 brings us “Aryeon Szela “, a track that’s a full-on spiritual cipher, laced with that “Word, Sound, Power” energy that makes you feel like you’re catching transmissions from another dimension. This joint walks you straight into the tension and harmony between the Lamb and the Lion, a deep dive into balance, strength, and humility.
This sound hits like a fusion of conscious hip-hop and cinematic post-rock: just imagine meditative chants colliding with raw, pulse-raising rhythms. There’s an ancient-meets-future vibe here, pulling from Egyptian cosmology, Rastafarian philosophy, and a dash of streetwise poetry. 3RD3Y3 spits and chants with purpose, every bar and breath feeling intentional, almost ritualistic.
This single definitely sets the tone for a journey that’s as much about inner reflection as it is about moving your body. It’s heady, it’s heavy, and it lingers, the kind of track you don’t just play, you sit with. Real talk: this is soul food for the mind.
BLOON DØG – “Caffeinate”
BLOON DØG’s single “Caffeinate” feels like rolling out of bed into a reality that’s just slightly… off, but in a cool way. Glitchy percussion clicks away like a broken clock, synth stabs jut out at odd angles, and little warped samples flicker in and out like half-remembered dreams. It’s LoFi meets IDM, but with a weirdcore soul: minimal, surreal, and strangely comforting in its disorientation.
You can hear shades of Vegyn and early Four Tet here, but BLOON DØG’s approach is way more myth-driven: this is a signal from The Vøid. Part producer, part digital phantom, BLOON DØG wraps you up in a soundscape that’s meditative and a little uneasy, like trying to sip coffee while the walls melt just slightly.
Caffeinate isn’t about hype energy, it’s about that jittery headspace where you’re awake, but not sure where you’ve landed. A beautifully odd slice of outsider electronica, perfect for late-night headphone trips or morning static storms!
Broken Spaceship – “A Part With Some Significance”
The debut EP of Broken Spaceship, called “A Part With Some Significance,” is a project that definitely can’t be missed. This London-based duo, Joserra (aka Chamy the Chameleon) and Ultra_Eko, come armed with a genre recipe that shouldn’t work on paper but hits like a glitch in the matrix: post-punk grit, hip-hop flow, indie attitude, and electronic pulses that feel both retro and future-facing.
Chamy’s been everywhere in the scene: DJ booths, tour vans, backstages, and it shows in the EP’s tight production and fearless experimentation. Ultra_Eko brings the words and the vision, spitting lines that read like conspiracy-laced poetry while painting full cinematic worlds in your head.
From the tense, rap-meets-spoken-word opener “Dreams” to the bass-heavy menace of “Rotten Teeth” and the warped brightness of “Endless Puzzle”, the project keeps shifting but never loses its thread. It’s moody, paranoid, and strangely addictive, like tuning into a pirate signal broadcasting from a broken future.
Broken Spaceship just landed, but they’re already orbiting in their own lane!
HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Four
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Talon David – “Paradise State of Mind”
Let’s start this episode with Talon David, who brings us “Paradise State of Mind”, a song that’s like catching a sunbeam in the middle of a thunderstorm: warm, cheeky, and dripping with vibes. Born during the lockdown haze of COVID, while she was grinding shifts at the Nashville airport café, this track was Talon’s way of flipping the script on that caged-up restlessness. No co-writers, no big collabs.. just her, a baritone uke, and a whole lotta clever energy.
The result is a breezy, sarcastically upbeat jam that lowkey laughs in the face of modern-day stress. It’s got that “life might be chaos, but I’m still vibin’” kind of mood. Her layered vocals and tropical textures turn this into more than just a feel-good tune: it’s a mindset reset.
Recorded across six home studios in the US and UK over five years, this single carries the grit of wanderlust and the glow of pure DIY passion. It’s not just a song, it’s a mood. Paradise, after all, ain’t a place: it’s a whole attitude.
Proklaim – “CREEPIN/FURTHER (2 IN 1)”
Always extremely happy to feature this artist. Hyperspace’s favorite Proklaim breaks boundaries with CREEPIN/FURTHER (2 IN 1), a bold fusion of boom bap and Amapiano rooted in both hip-hop tradition and Southern African club energy.
Hailing from Windhoek, Namibia, the artist raps and sings with striking clarity, weaving lyrical dexterity into a soundscape that’s as raw as it is infectious. Inspired by the Shaka Zulu mini-series, the production carries an ancestral weight while still feeling fresh and electric.
With crisp mixing and mastering by Wojtek Majewski (Audio Art Namibia), and a creative process led by instinct and vibe, this two-part single captures what makes Proklaim stand out, genre-defying vision, magnetic delivery, and a deep belief in music’s power to unite. It’s a fearless release that invites global ears into a uniquely Namibian perspective.
The New Citizen Kane – “Ratbag Joy”
The New Citizen Kane is back on his mind-bending tip with “Ratbag Joy,” a sugar-rush banger that hits the dancefloor while dragging some serious baggage behind it. It’s bright, bouncy, and full of summer fizz, but peel back the synths and glitter, and you’re staring into the eyes of someone barely holding it together.
This track ain’t just a vibe; it’s a whole contradiction. The beat’s euphoric, the melodies are catchy as hell, but the lyrics? Dark, raw, and real. This incredible artist is painting a portrait of joy on the edge: highs masking hollowness, all-night chaos hiding inner static. It’s a party song with a cracked mask, and that contrast is exactly what makes it bang so hard.
The visuals of the official video match the energy: glitchy, trippy, and full of restless movement. Think ballet meets breakdown in the middle of Hackney. This guy isn’t chasing trends; he’s making his own lane, and this one rides deep and dirty.
Tony Frissore – “The Eagle Has Landed”
Tony Frissore brings us his latest single “The Eagle Has Landed”, which is that sweet exhale after the storm: smooth, confident, and drenched in funk. Following the introspective “Just Fade Away,” this joint flips the script with a fresh sense of freedom. It’s like stepping out the barracks and straight into your own groove.
Built on buttery synths, mellow drums, and a vibe that says “I’m finally home,” this track feels like touchdown after a long flight.. except now, the landing’s on your terms. Tony ain’t just making beats, he’s telling stories without a single word. The title’s a nod to Apollo 11, but the metaphor runs deeper: it’s about rediscovering yourself when the uniform’s off and the future’s wide open.
This is lo-fi soul with purpose. No rush, no baggage, just vibes and clarity. Tony’s got that rare talent for turning life chapters into sonic journeys. If “Just Fade Away” was the farewell, this one’s the victory lap. It’s funky freedom music, and it hits right.
Miss Giulls – “Hey Mr. DJ, turn it up”
Miss Giulls brings us “Hey Mr. DJ, Turn It Up”, and it’s a total vibe! A sparkling throwback to ‘80s synth glory with a modern twist that’s all heart, all soul. Built from the ground up in her home studio, this is literally a one-woman show. She wrote it, mixed it, mastered it, and produced every part of the song with care and passion, straight from the creative cave she calls her studio sanctuary.
You can feel the influence of those vintage grooves her dad used to bump, but there’s nothing dusty here. The synths are punchy, the flow’s tight, and her vocals ride the rhythm like they were made for it. There’s nostalgia, yeah, but there’s also a crisp, clean freshness that hits.
This one’s for the dance floor and the dreamers. Giulls isn’t trying to be flashy; she’s just real, and that’s what makes this track land. It’s a shoutout to joy, rhythm, and the DJs who keep our hearts thumping. Turn it up, indeed.
Sunsparks feat. Amanda Wilson – “Hell of a Night”
Sunsparks are stepping out of the shadows and dropping some heat with “Hell of a Night”, and trust, it lives up to the name. This isn’t just another club tune, it’s the kind of banger that hijacks the dancefloor from the very first beat. And with Amanda Wilson on the mic? Game over. Her voice has been owning dance anthems since “Love On My Mind”, and here she’s in full beast mode: rolled into the studio and laid it down like it was nothing.
The duo behind Sunsparks has been killing it behind the scenes for a while, writing and producing for others, but this time they said nah, we’re keeping this one! With Cameron Collie on production duties, they’ve cooked up something that hits that sweet spot: emotionally charged lyrics, a beat that slaps, and a vibe that makes you wanna wild out and scream the hook with your crew at 2AM.
It’s bold, it’s feel-good, and it’s a proper debut from artists finally owning their moment. Let it spin.
BŠĀR – “Venus”
With Venus, BŠĀR crafts a shimmering synthpop gem that pulses with emotion and introspection. Beneath the track’s summery beat and glossy hooks lies a deeper vulnerability — a dual plea to a failing lover and the goddess of love herself.
The lyrics wrestle with themes of rejection, aging, and self-worth in a culture obsessed with youth and image, while the production gleams with crisp synths and driving rhythm.
BŠĀR’s genre-fluid background as a classically trained composer and multi-instrumentalist gives the track its layered polish, blending pop immediacy with an artful sensibility.
Venus is both dancefloor-ready and thought-provoking, a sleek anthem of longing in a digital age.
Trevor Drako – “Bottomless Emotions”
Trevor Drako lays his soul bare on Bottomless Emotions, a gripping single that channels personal chaos into raw, melodic honesty.
Written, recorded, and finalized in under two hours, the track captures the urgency of its message — a descent into addiction, heartbreak, and inner turmoil. With its stripped-down, confessional tone and dark emotional core, the song draws listeners into a world where vulnerability meets resilience.
Drako’s vocal delivery is filled with desperation and resolve, reflecting his journey through the streets and into the studio. As the first preview of his upcoming album Split Personalities, this release cements Drako’s commitment to telling real stories with unfiltered emotion and musical grit.
His ability to turn trauma into cathartic, genre-bending expression makes him one to watch in the underground scene.
Jeff Dwyer – “Tribute to the Ancestor”
Jeff Dwyer’s Tribute to the Ancestor is a stirring and historically resonant piece that blends spiritual tones with narrative depth. Backed by J’sun Tyler’s masterful composition, the track offers a heartfelt tribute to the enslaved Americans who fought for freedom, channeling both sorrow and resilience.
With its solemn melodies and reflective lyrics, the song feels like a sonic monument — a moving reminder of the courage and sacrifice that Juneteenth commemorates. It captures a rare balance between emotional weight and musical grace, never straying into sentimentality but grounded in purpose.
Dwyer’s vocal delivery is understated yet powerful, carrying each word like a prayer for justice and memory. It’s not just music; it’s remembrance, resistance, and reverence wrapped into one powerful listen.
Jeff Dwyer – “Tribute to the Ancestor”
Rewind The Mind’s Come On With Me is a joyous burst of jazz-funk energy that practically demands to be played loud on a summer day.
With slick brass hooks, groovy basslines, and an undeniable rhythmic pulse, the Brighton-based band delivers a track that feels both retro and refreshingly new. Their musical tightness is matched by an infectious sense of fun, turning improvisational flair into something deeply danceable.
It’s a vibrant testament to their rising presence on the UK live scene, packed with charisma and clever musicianship. Whether you’re a jazz head or just in it for the groove, this one will get your feet moving and your head nodding. A perfect slice of feel-good funk for sun-drenched afternoons and late-night jams alike.
HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Three
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
REKIN 85, Autumn White – “Sonnet”
We’ll start this episode with REKIN 85 and Autumn White, who link up on “Sonnet” and drop a dreamy banger that’s got that late-night nostalgia vibe written all over it. You can picture neon lights, synth-laced air, and a voice that glides like velvet through moonlit memories. Autumn’s vocals are straight-up haunting.. in the best way! Dude floats on the beat like he was born for this lane.
The collab’s got that back-and-forth magic too, with both artists crafting the track from their own spots, bouncing ideas till it sparkled. And yeah, “sparkles” is the word: this thing shimmers. You can hear echoes of The Midnight and Timecop 1983, but it still feels super fresh, like a love letter to retro pop with a 2025 edge.
It’s a slow-burn earworm: give it a few spins and it sticks like glue. Whether you’re zoning out solo or cruising under streetlights, “Sonnet” will stick with you for a long time.
Dj Snabba – “The Lyric Down”
When a DJ’s been spinning for nearly 40 years, you expect depth, and Snabba doesn’t disappoint here. With “The Lyric Down”, he dives headfirst into festival-sized techno with fresh fire, while staying true to his vinyl-rooted craft. Known in the Turin scene as a purist who lets tracks breathe, Snabba brings that same respect to this new venture, blending old-school soul with chart-ready energy.
The man’s not just hopping trends, he’s leveling up! You can hear the influence of legend like Carl Cox, but Snabba’s take is bold, clean, and locked in. Acid-tinged basslines, crisp drops, and a build that screams main stage: it’s got the juice. And coming from someone who’s rocked Casa Sanremo and held down residencies, this track hits different.
This single is not just a banger, it’s a flex. A statement from a seasoned selector stepping into a new lane, and doing it with confidence, finesse, and full volume vibes.
Pronto Valid – “UK V!BES”
Pronto Valid brings us a single called “UK V!BES”, and it’s a straight-up switch-up: taking the Chicago sound and flipping it with a UK twist that hits hard and smooth all at once. Released just a few weeks ago, this joint blends hip-hop heat with UK house bounce, cooked up alongside producer Zeelaa, who laced the beat with pure groove. Inspired by Skrillex, you can hear that bold, bouncy energy bleeding through every bar.
This one isn’t your typical Chi-town drill, it’s for the dancefloor, for late-night rides, for catching a vibe with the squad. His flow rides the rhythm like it was tailor-made, giving us fun, flavor, and finesse without overthinking it. It’s fresh, original, and effortlessly cool.
With a show coming up just this weekend, Pronto’s about to show crowds that he’s not just versatile, he’s unpredictable in the best way. UK V!BES is a flex, and Pronto’s only getting started!
Kabusa Oriental Choir – “Cannabi”
Kabusa Oriental Choir just flipped the script with “Cannabi”, and no, it’s not what you think. This ain’t your average choir jam. Picture a sun-soaked beach, a cold drink in hand, and zero responsibilities: that’s the energy. Blending island pop vibes with choir harmonies, this single is a genre-bender that sounds like Major Lazer met Burna Boy in a luxury Lagos Airbnb.
Written by Austin Nwamara and produced by David Acekeyz, the track oozes chill confidence. What started as a stress-fueled thought—“Can I be free?”—turned into a feel-good anthem that lets your brain take a vacation. It’s lush, light, and catchy, with cheeky double meanings baked into the lyrics. One minute you’re vibin’ to tropical synths, the next you’re catching clever wordplay.
Recorded post-show in Lagos, this track carries the glow of freedom and the boldness of a group unafraid to break the rules. If this is what genre-less feels like, we’re all in. “Cannabi” is that sonic escape we didn’t know we needed.
Okayden – “Sugar Water – Polybit Remix”
Okayden’s “Sugar Water – Polybit Remix” hits different; it’s like your first crush at 2AM on a packed club floor. What started as a dreamy alt-pop love letter to queer self-discovery now rips through with liquid DnB energy, thanks to Polybit’s slick touch. It’s still intimate at heart, but now it moves: fast, deep, and glowing.
Born from an intercontinental link-up, this track’s got Melbourne, Sydney, and who-knows-where energy baked into it. Okayden and VRDA first stitched together a lush, emotional original, layering chopped vocals and warm textures. Then Polybit, fresh off a scroll through Okayden’s catalogue, swooped in with a pulse-raising remix that flips vulnerability into velocity.
This one’s more than a dancefloor edit, it’s a closing chapter to an era, a moment of growth for an artist looking ahead while nodding to where it all began. There’s honesty, heat, and movement here. If love ever needed a drum & bass soundtrack, this is it. Put it on, turn it up, and let it carry you.
Stray Blue – “Wake Up & Smile – Acoustic Version”
Marking 20 years since their formation, Greek indie trio Stray Blue return with Wake Up & Smile (Acoustic Version), a stripped-back reimagining of their signature anthem.
Led by Nick Anastasakis and joined by longtime bandmates George Athanas and George Papazoglou, the group channels two decades of heartfelt songwriting into this tender, acoustic release.
The track unfolds with warm 12-string guitar in a distinctive tuning, paired with reflective lyrics that blend hope, memory, and emotional honesty. It’s a song about moving forward without forgetting, reminding listeners that even in difficult moments, we can still choose to smile.
Also featuring the lush and introspective “Moody Sky” with cellist Yoed Nir, this EP is a gentle yet resonant milestone in the band’s legacy—a quiet celebration of connection, resilience, and the enduring power of music.
Second Hand Noise – “Into Coherence”
Released on July 24th, Into Coherence marks the debut single from Second Hand Noise, offering a captivating prelude to the project’s evolving sonic journey. Though not indicative of the genre or energy that future releases may carry, this track is an intentional clearing of space—both musically and emotionally.
Tuned to 432hz, it unfolds with a calming, almost therapeutic ambience that blends vaporwave aesthetics with contemporary chill-out elements. The production is top-notch, balancing soft, ethereal sound design with a drum presence that hits surprisingly hard, adding weight and contrast to the mix.
Mesmerizing vocals glide through the track like vapor trails, enhancing its dreamlike quality while maintaining a grounded sense of focus. Into Coherence doesn’t just introduce Second Hand Noise—it invites the listener into a liminal space, where clarity, warmth, and introspection gently collide.
OB1 – “Miss you”
OB1’s latest single Miss You is a heartfelt plunge into nostalgia, romantic memory, and the growing pains of young adulthood. Swapping the boldness of past tracks like Coast to Coast and Hussle for a more introspective, melodic palette, OB1 leans into his PlugnB sensibility with grace.
The production is airy and delicate, subtly laced with Afrobeats inflections and smooth vocal layering that echoes the vulnerability in the lyrics. At just 18, OB1 navigates emotion with a sense of control that’s rare for his age, capturing the ache of longing without slipping into cliché. His performance feels personal, yet wide-reaching, connecting listeners to the universal pulse of love and distance.
The result is a slow-burning track that gently lingers. As a preview of his upcoming EP High School Graduation, Miss You reveals an artist unafraid to evolve and reflect. It’s a mature, emotionally resonant single that suggests OB1’s future is as expansive as his influences.
Golem Dance Cult – “Call of the Wendigo”
Golem Dance Cult return with Shamanic Faultlines, a bold and immersive follow-up that amplifies their signature blend of gothic swagger, spiritual dissonance, and post-punk tension. Across thirteen tracks, the Franco-Australian duo conjures a rich sonic world where sludgy riffs grind against hypnotic grooves, while synths, theremin, and cello add eerie cinematic depth.
The guest contributions are standout—Inga Liljestrom’s haunting vocals on “Pretty At Dawn” and “Shamanic Faultlines” shimmer like apparitions, while Alex Zillon Jean and others push the album into ritualistic territory.
The production is dense and tactile, with each track feeling like a descent into another layer of Golem Dance Cult’s haunted mythology. There’s a gritty beauty here, somewhere between Bauhaus and a fever dream. Shamanic Faultlines doesn’t just follow up their debut—it expands the mythos and drags you deeper in.
Tuti Vibes – “Please”
“Please” is a soulful Afro-house anthem from UK artist Tuti Vibes that blends tropical house grooves with deep emotional undercurrents. Infused with Afrobeat rhythms and smooth melodic house textures, the track strikes a delicate balance between vulnerability and uplift.
Dreamy, heartfelt vocals glide over lush percussion and sun-soaked synths, creating a soundscape that feels both introspective and freeing.
The production is top-notch — warm, layered, and spacious — with subtle sound design details that elevate the track from a chill dance tune to a meaningful sonic experience.
Tuti’s lyrics and vocal delivery convey a quiet resilience, encouraging listeners to find joy in movement even when weighed down by life’s pressures. “Please” is more than a club track; it’s a reminder that sometimes dancing is the only way to cope.
HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Two
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Odelet – “Raindance”
In this episode, Odelet brings us the incredible album called “Raindance”, a shape-shifting, soul-drenched trip through vibes you don’t really want to miss. Think dream-state R&B dipped in analog warmth, with Odelet doing the most: writing, producing, and playing almost everything herself. This is not a normal album; it’s a mood board built from jazz mist, ambient whispers, and silky soul stitched together with emotional depth and studio sorcery.
Mixed by analog legend Larry Crane, the album sounds like a lost artifact from a parallel 1970s, warped through today’s lens. Every note hits like rainfall on late-night pavement, and her voice? It’s that quiet storm energy: raw, soft, and full of feeling.
As if that wasn’t enough, Odelet dropped “Raindance In Dub”, a full-on echo-laced remix album straight outta the roots playbook. This is what “genreless” sounds like when done right! She’s not just bending rules, she’s out here building her own.
Babyboii – “Adderall”
Babyboii is here with his song “Adderall”, and let us tell you, this one hits like a late-night thought spiral you can’t shake: raw, real, and dripping in emotion. Straight outta Houston, this up-and-comer lays it all bare, rapping from the heart about living with ADHD and the wild ride inside his own head. No gimmicks, no filters: just a mic, a beat, and a home-recorded confessional that feels more like a voice note from a friend than a polished industry track, and we loved that!
The production floats between moody pop and slick hip-hop, with hooks that stick and lyrics that linger. You can feel the tension: the chaos, the calm, and the crash in between. It’s not just a song about meds, it’s about trying to hold it together when your brain’s doing donuts.
Whether you’re in the same boat or just riding shotgun, this single gives you a real-time look inside Babyboii’s mind. Vulnerable but fly, this one proves he’s not just here for the moment, but building a lane of his own.
Mtnt – “Limousine (Na Na Na)”
Mtnt’s debut single “Limousine (Na Na Na)” pulls up loud, lights on, engine revving.. this one slaps! Straight from the heart of Rome’s rising indie scene, Mtnt rides that line between retro glam and futuristic bounce like a pro. The beat goes hard, the energy’s sky-high, and that “na na na” hook definitely sticks like glitter in your brain. One spin and you’re chanting it in the shower, the club, or while fake-driving your imaginary limo through the city!
Teaming up with chart-killer Scarlett, Mtnt brings a collab that got big playlist potential. There’s swagger here, but also hunger. You can hear Mtnt’s grind in every layered synth and punchy drum hit, chasing the dream with zero brakes. Influences like M83 peek through, but this isn’t a copy-paste job, but Mtnt’s own spin: playful, punchy, and straight-up electric.
No cap, “Limousine (Na Na Na)” is the kind of track that makes you wanna throw on shades and dance like you own the night. Banger status confirmed!
Andrew Rowan – “HOT SALAMI”
We are now presenting you “HOT SALAMI” from the EP “Second Ecosystem” by Andrew Rowan, and we’ll tell you straight away that this isn’t just a song, it’s a cinematic daydream dipped in analog heat. This one floats, really. Built on a bed of tape hiss, gooey synths, and mood-drenched textures, the track slides between meditative and surreal like a slow-motion thought spiraling in space. It’s lowkey weird in the best way, like if a sci-fi soundscape got lost in a deli and just vibed there.
Rowan, deep in his composer bag, flexes his orchestration chops without showing off: it’s all subtle shifts and mini-melodies that bloom, shimmer, and vanish before you can name them. Think ambient meets chamber music with a little downtown New York experimental seasoning.
This track literally invites you to zone in and trip out. “HOT SALAMI” proves Rowan’s got that rare touch: classically trained but always reaching for the cosmic!
Allcapsallan – “Pressure”
After a two-year silence, Allcapsallan storms back out of the gate with “Pressure”, a gritty cut straight from the soul. This masterpiece is not just music, it’s therapy in 808s. Coming outta Long Island with fire in his chest, Allcapsallan spits with the hunger of someone who’s been through the grind and lived to tell the tale. There’s a raw edge in his flow, like every bar’s been marinating in life’s chaos.
Built on tension and truth, “Pressure” hits hard for anyone trying to level up while carrying the weight of the world on their shoulders. It’s that soundtrack for late-night overthinking, early-morning plotting, and everything in between. No fluff, just realness.. this one bleeds resilience.
The production knocks, but it’s Allcapsallan’s voice that lingers: gravelly, defiant, and full of intent. After a long hiatus, dude sounds more focused than ever. If this is the re-intro, we’re in for a whole new era.
ClaT – “Logic”
ClaT delivers a cerebral yet emotionally charged ride with Logic, a genre-fluid album that fuses electronic experimentation with synthwave flair and introspective lyricism.
Balancing ambient textures and hard-hitting beats, the project dives into themes of identity, mental conflict, and creative resilience. ClaT’s voice is calm but unwavering, navigating complex thoughts with sharp flows and smooth production.
The result is a project that feels intimate yet expansive, an honest exploration of thought patterns, impulses, and the contradictions that shape us. Logic invites you in, one layered track at a time. It’s a slow-burning listen that rewards focus, reflection, and a taste for sonic depth.
Mr. Rockstar – “All Day (studio mix)”
With All Day (Studio Mix), Mr. Rockstar cranks the volume on summer rebellion, fusing heavy 808s with distorted grunge guitars to craft a rock-rap hybrid built for wild nights and no-regret mornings.
The track hits like a shot of adrenaline — fast, loud, and unapologetically bold — channeling the raw edge of garage punk with the swagger of Southern hip-hop.
As part of his No Shirt anthems series, alongside American Made and Lazy, this single cements Mr. Rockstar’s commitment to making music that’s meant to be blasted with the windows down and the rules off.It’s a soundtrack for chaos, sweat, and staying loud till the sun comes up.
Anjalts – “Dim the Lights”
Anjalts returns with Dim the Lights, a mellow yet emotionally loaded single that captures the fragile space between conflict and connection.
Built on ambient bass, warm guitars, and delicately layered vocals, the track unfolds like a late-night confession whispered across a quiet room. Her production remains intimate and restrained, allowing lyrics like “Let’s just slow dance… it’s the one thing we got right” to land with understated weight.
It’s a song that suggests reconciliation doesn’t always come through conversation — sometimes, it begins with a slow step back into each other’s arms. Entirely self-written and produced, Dim the Lights sets the tone for Anjalts’ upcoming third album, hinting at a more stripped-back, acoustic-driven chapter of her evolving sound.
Heléne Hellmon – “Little Blue Planet”
Heléne Hellmon returns with Little Blue Planet, a delicately arranged yet deeply resonant track that turns emotional unrest into musical purpose. Blending a soft uptempo groove with a message rooted in empathy, the song captures a tension many feel in today’s world — one of worry, but also of a persistent hope. Initially written in 2023 and later refined to reflect the present moment, the lyrics serve as both a personal response to global instability and a universal reminder of our shared responsibility.
Hellmon’s signature melodic style invites quiet reflection without ever losing its momentum. The care in the song’s arrangement is evident throughout, especially in the dynamic bridge and instrumental layers that provide both lift and depth. Produced in close collaboration with Filip Killander, Little Blue Planet marks not just a return to releasing music, but a reaffirmation of art as a form of active engagement with the world. It’s a song that encourages listening more than once — not for its complexity, but for its emotional clarity and quiet power.
Sapiens – “Closet Case” (Sapiens Nashville Tribute Vocal Peak Time Club Remix)
Tel Aviv-based producer Sapiens delivers a bold and unexpected hybrid with this remix of Hair Band Drop-Out’s Closet Case. Part of a rich EP on Pangea Recordings, the “Nashville Tribute Vocal Peak Time Club Remix” fuses stomping techno rhythms with twangy guitars and a live-band aesthetic, channeling the spirit of a Nashville stage show through the lens of a peak-time club heater.
Layered with authorized vocal and instrumental samples, the track blurs genre lines in refreshing ways, marrying folk-rock storytelling with a pounding electronic backbone. It’s an energetic, genre-blending tribute that doesn’t just remix a track — it reimagines it from the ground up.
The result is both playful and potent, capturing the thrill of dance music while paying homage to country roots.
HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty One
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Ian Rae – “No Time For Tears”
Let’s start with Ian Rae, who’s on a whole other frequency.
At 78, this self-taught legend has turned quiet consistency into a global phenomenon: no flash, just feeling. “No Time For Tears”, his latest album, lands less than a month after “Sleeping Angel”, and somehow it hits even deeper. You won’t find synth drops or pop hooks here.. Rae’s magic is subtle. It’s in the hush of a piano phrase, the warmth of a string swell, the space between notes where emotion breathes.
Tracks like “That’s My Girl” feel like Ghibli memories floating by, while “Let Me Down Gently” (with Ellie Lou Baillie’s haunting vocals) will straight up stop you in your tracks. Rae doesn’t just write normal music; he tells stories without saying a word.
Streaming three times a day and still dropping gems like this? That’s not hustle, that’s heart. “No Time For Tears” is more than an album. It’s a reminder that music doesn’t need to shout to move you.
Now, we imagine Ian Rae’s world: soft, steady, and absolutely unforgettable.
GatiS – “Stay. Theme”
Here we got GatiS, and he’s not just dropping a track, he’s dropping wisdom. Straight from his home studio in Latvia, “Stay. Theme” hits like a quiet reminder to hold your ground in a world full of noise. This is just a heartfelt, raw musicianship and a message that sticks. With its bittersweet guitar tones and pensive mid-tempo groove, this instrumental carries the weight of unspoken words. It sounds like standing still in a storm: calm, composed, and unshakably you.
You can feel the 90s alt-rock fingerprints: jangly riffs, a nostalgic mood.. but it’s layered with soul, not ego. GatiS keeps it real, with no filters, no flexing, just music that mirrors his life and invites you to reflect on yours. “Stay. Theme” isn’t about chasing clout, it’s about staying human when everything around you feels fake.
In a digital world full of copy-paste personalities, this track’s a breath of fresh air. Put it on, breathe deep, and remember who you are. GatiS is building something honest, and that never goes out of style.
Curtis Millen – “When Your Mind Wanders”
Curtis Millen floats into your ears with “When Your Mind Wanders” like a lucid dream you don’t wanna wake up from. This is not average music, it’s a soul-soaked stroll through someone else’s imagination, wrapped in warm keys, buttery vocals, and a groove that feels like late-afternoon sunlight.
Backed by The Anam Collective (an international crew channeling Bill Withers, Gregory Porter, and Vulfpeck energy), Curtis delivers something intimate yet cosmic. Inspired mid-daydream, the song drips with that “internal VR headset” vibe: floating chords, smooth funk undercurrents, and a soft crescendo that pulls you deeper into the haze.
You don’t just listen, you drift. Whether you’re the daydreamer or their quiet admirer, this one’s definitely for you. It’s a gentle reminder that losing your mind for a moment might just be the best way to find some peace.
Hadriaan – “Shine”
Paris-based artist Hadriaan makes a striking entrance with Shine, a debut EP that feels like a soul-searching odyssey wrapped in cinematic elegance. Blending atmospheric electronic pop with poetic introspection, Hadriaan crafts a deeply immersive sound, drawing influence from artists like Labrinth, Patrick Watson, and Son Lux. The title track serves as the emotional and sonic centerpiece—a slow, ritual-like build that rises from quiet reflection to a soaring, liberating chorus. His powerful vocals, textured production, and lyrical vulnerability evoke the feeling of emerging from darkness and stepping into one’s own light.
Each song on Shine acts as a chapter in a personal quest for meaning, identity, and emotional clarity. Themes of loss, resilience, and inner transformation run through the EP like threads in a tapestry, connecting the intimate with the universal. From the dreamy arrangements to the raw emotional delivery, Shine invites listeners into a world of reflection and quiet strength. It’s a debut that doesn’t seek attention through noise, but rather through honesty, depth, and a sense of timeless beauty.
Exzenya – “Drunk Texting”
Exzenya crashes into the scene with style and satire on Drunk Texting, a bold debut single drawn straight from the chaos of real life. Fusing playful pop with R&B flair and a comedic twist, the track reimagines a wild Miami night into a global earworm.
Her sharp lyrical wit and soulful vocal layers hit with authenticity, all recorded in a self-built vocal booth and mixed to polished perfection. It’s a song born from mayhem, memory, and the irresistible impulse to reach out at 2 AM.
Inspired by Doja Cat and Lady Gaga, Drunk Texting balances humor and heart with a hook that’s hard to forget. It’s more than just a catchy tune — it’s the launchpad for her upcoming album Bar Scenes and Rumors and a prime example of what fearless, independent artistry sounds like. Already streamed in over 150 countries, Exzenya proves that great stories and great music don’t need a label to travel far.
HydraTek – “BioPunk”
HydraTek unleashes a blistering techno cut with BioPunk, a futuristic assault of bass, glitch, and synthetic force released on June 20 via Don’t Play This at Home Records. Taken from the forward-facing Italian underground compilation D.P.T.H., Vol. 2, the track blends cyberpunk atmospheres with DnB urgency, electro grit, and a techno backbone built for maximum impact.
Pushing listeners into a dystopian realm of engineered chaos, BioPunk pulses with glitched-out textures, distorted AI vocals, and a razor-tight arrangement that feels both cinematic and club-ready. HydraTek’s command of sonic detail is front and center — every layer serves the momentum, every shift feels alive with digital intensity.
This isn’t just a dance track; it’s a full-blown neural trigger, a glimpse into a future wired to the beat of rebellion and evolution. BioPunk doesn’t ask permission. It enters, dominates, and transforms.
HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Textbook Maneuver – “Adrenaline Slip”
Let’s start this episode with the project “Adrenaline Slip”, which is going to hit like a lucid dream dipped in moonlight. Textbook Maneuver (aka Michael Keane) takes us on a heady ride through stardust and memory, fusing his classical chops with ambient electronica in ways that feel both fresh and timeless. This ain’t just background vibes; it’s a full-blown inner voyage built for the after-hours thinkers and highway drifters.
The textures float, swell, then vanish like thoughts in deep meditation, while melodies reappear like ghosts from some distant past life. The four-part Space Trip suite? Straight-up cinematic, otherworldly and human at once, with “Tell Them I’m Not Here” anchoring the journey in psychedelic stardust.
Every beat and synth pad feels handcrafted, like it was whispered into existence during a 3AM jam session. It’s prog, ambient, chillout, and something else entirely: crafted with heart, not hype. Keane’s debut under this alias doesn’t just introduce him; it plants a flag. If you like your music deep, dreamy, and daring, this one’s a must-spin!
G-Sinnz – “Tartara”
Colombian powerhouse Hey Haad proves once again she’s not here to play with her standout performance on “Tartara,” the high-voltage collab led by UK producer G-Sinnz and featuring Latin rap force X Ledher. While the track itself has a lot to tell with that classic reggaeton heat, it’s Hey Haad who truly commands attention, balancing elegance with fierce presence.
Her voice? Straight velvet with venom. She glides over the beat like she was born on it, bringing both finesse and fire. There’s a natural confidence in how she delivers: bold, unapologetic, and rooted in purpose. It’s not just about sounding good; it’s about knowing your power and using it. That’s the energy Hey Haad channels, and we loved that.
Beyond vocals, she brings vision: bridging the romantic and urban worlds with style, heart, and mad versatility. “Tartara” may be a collab, but Hey Haad walks away as the name you remember. She’s not just featured, she’s arriving!
Monssun – “Wonderland XX”
Monssun’s latest single, “Wonderland XX”, is not just a normal song; it’s a vibe shift. Hailing from Lithuania, this IDM/downtempo producer drops a sonically rich piece that feels more like a lucid dream than a single. Built on layers of warped vocal textures and smooth ambient grooves, the song wraps around you like soft static in a moonlit room.
What really hits is how organic it feels. There’s no harsh drop or flashy trick, just pure headphone magic. Monssun sculpts with sound like a painter with light, giving us a hypnotic ride that’s equal parts meditative and mind-expanding.
You can hear echoes of Röyksopp, a whisper of deadmau5, maybe even a spiritual nod to Grimes.. but this is its own little galaxy. No lyrics, no gimmicks, just vibes that quietly pull you into the ether.
If your playlist leans dreamy, introspective, or late-night essential, “Wonderland XX” belongs there. Monssun’s clearly got a rare touch, and this one’s a low-key gem you’ll keep on repeat, trust us!
Qymira – “Melodrama”
Qymira returns with Melodrama, a dark, theatrical fusion of hip-hop grit and orchestral pop that marks a defining moment in her artistic evolution. Fresh off a UK-wide tour with Boyzlife, she delivers a track that’s fierce, cinematic, and emotionally charged, built on thunderous beats, slicing vinyl scratches, and sweeping strings that crash like tidal waves.
Her vocal performance is magnetic, shifting from breathy vulnerability to rapid-fire precision, capturing the emotional turbulence of power struggles, illusion, and manipulation.
The accompanying music video amplifies this energy, placing Qymira in stunning couture as she conducts her own symphony with a mix of elegance and intensity. Each frame is a statement, blending grandeur and grit in equal measure. As a classically trained multi-instrumentalist and boundary-pushing performer, Qymira channels her global influences and deep musicality into something uniquely hers. Melodrama is a fearless declaration, a carefully orchestrated storm that positions Qymira as one of pop’s most dynamic and uncompromising voices.
Crown Vega and Archangel – “One of Dem”
With One Of Dem, Crown Vega and Archangel come through as a powerful Memphis duo, delivering a bold and unfiltered album that captures the essence of Southern rap with style, confidence, and a strong sense of identity. Across seven tracks, the project balances street wisdom and creative swagger, blending theatrical production with bars that are both razor-sharp and entertaining.
The opening track “F U” wastes no time setting the tone, with its punchy delivery and raw charisma, while “In The Way” plays with warped sonics and a narrative that adds weight and urgency. Tracks like “We da Ones” crank up the pace with distorted melodies and fierce verses, and “Everything but Basic” rides a smoother groove while still pushing a message of individuality and elevation.
What stands out throughout the album is the synergy between Crown Vega and Archangel, their voices and flows complement each other effortlessly, bouncing between humor, bravado, and thoughtful introspection. Each beat hits with purpose, and each verse adds something memorable to the mix. One Of Dem it’s a full-body experience of Memphis rap, shaped by years of craft and delivered with undeniable force.
Aleksandra Picariello – Chair
Aleksandra Picariello’s latest single Chair opens a deeply personal chapter in her journey as an artist and human being. A classically trained film composer turned dramatic indie pop force, Aleksandra channels a whirlwind of emotion into a song that feels cinematic, raw, and unafraid.
With lush string orchestrations colliding with bass-driven grooves, Chair captures the moment she realized she needed to change her life, a moment marked by a broken heart, a shattered chair, and the first spark of self-awareness.
It’s the kind of song that holds nothing back, pairing vivid storytelling with theatrical production that leans into her love for both Hans Zimmer and Queen.
This it’s the beginning of a larger musical memoir from a woman who’s lived through the fire and emerged with purpose.
HYPERSPACE: Best Discoveries of the Week – Episode One Hundred TwentyNine
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Bill Barlow – “Emotional Journey”
Let’s start this episode with Bill Barlow, who ain’t here to flex flashy beats or viral hooks.. “Emotional Journey” is all heart, all honesty. This Tampa-based songwriter drops a collection that feels like eavesdropping on someone’s late-night confessions: raw, real, and refreshingly unfiltered. His lyrics cut deep, but never feel heavy-handed. One track’ll have you misty-eyed, the next smirking like you just caught a clever inside joke.
The production? Subtle brilliance. Warm pianos, acoustic strums, and just enough digital seasoning to give it flavor without drowning the vibe. It’s lo-fi in spirit, hi-fi in impact. Bill’s storytelling style lands somewhere between Paul Simon’s everyday poetry and Randy Newman’s dry wit, but with a voice that’s all his own: humble, grounded, and razor sharp.
This album doesn’t shout, it leans in close. It’s for quiet car rides, introspective walks, or just zoning out with your headphones. This album doesn’t chase trends; it builds a connection. And once it’s got you, it doesn’t let go.
BdotJeff – “crew. (interlude)”
BdotJeff really taps into something special with “crew. (interlude)”, a lowkey love letter to the day-ones and fallen homies, wrapped in a silky Latin-flavored hip-hop groove. It’s short, but don’t sleep, this joint hits like a memory you didn’t know you missed. Over laid-back percussion and deep basses, BdotJeff floats with that nostalgic cool, dropping bars that’ll have you zoning back to playground days and late-night hangs.
There’s no flexing here, just warmth, soul, and real talk. It feels personal, like you’re overhearing a voice note meant for the crew chat. You can hear the love, the pain, and the gratitude all at once. Trust us, this is pure artistry magic.
This track proves you don’t need big drops to make big waves. It’s a vibe. A hug in sonic form. Run it back.
Jon Gold – “Breaking the Ice”
Jon Gold slides in smooth with “Breaking the Ice”, a genre-blurring groove that’s got class, soul, and just enough swagger to stick with you. From the jump, the track sets a mellow but confident tone: think jazz club vibes with a modern twist. Mark Egan’s fretless bass? Silky as melted butter. Dude anchors the whole thing with effortless finesse. Then you’ve got Mauricio Zottarelli on drums, laying down that crisp, lockstep rhythm like it’s second nature. The pocket is deep, and the groove is real.
Topping it all off is Marina Marchi’s dreamy backing vocals, floating above the mix like a warm breeze: light, lush, and pure ear candy. The whole thing feels alive and breezy, like an afternoon hang where conversation flows easy and good vibes are guaranteed.
This tune isn’t trying to be flashy; it’s just cool by nature. Whether you’re a jazz head or a casual listener, this one hits just right. Jon Gold’s got the magic touch.
Sister Stone – “Guided”
Sister Stone floats in with her latest hit “Guided”, and it’s pure soul alchemy. This track is like a prayer wrapped in a groove, a late-night heart-to-heart with the Creator over a bassline that bumps like no other. Channeling that golden-era R&B vibe (think Lauryn Hill with incense burning), Sister Stone weaves truth, healing, and rhythm like she’s been doing it for lifetimes.
The beat rides low and slow, smooth as mountain mist, with that kind of sway that makes you close your eyes and feel every bar. Her vocals are raw honey over ancestral drums: soft but firm, sacred but streetwise. You can feel this unstoppable energy in the air, blessing the track like sacred smoke.
This one hits the spirit and the hips. This will be a wonderful listening experience for all those seeking outstanding music: it’s medicine music, no doubt, and Sister Stone is the real deal, serving sound that heals and vibes that stay with you.
Carδamo – One More Night
Carδamo dives headfirst into the sweaty chaos of nightlife with One More Night, an electrified, genre-bending single that crackles with hedonistic energy and emotional detachment. Featuring a standout performance from Talk To Frank, the track captures the strange mix of lust, boredom, and fleeting connection that often defines late-night hookups. Drawing influence from the hyperpop edge of Dorian Electra, the experimental heat of Shygirl, and the maximalist gloss of Charli XCX, Carδamo crafts a sound that feels both underground and undeniable.
Entirely produced and mixed in their home studio, One More Night is as raw as it is polished—flashing between chaotic synth lines, warped vocal effects, and a beat that never quite lets you settle. There’s a theatricality to it, but also a sharp awareness of the awkward truths behind the party. As part of a string of upcoming pop-dance releases, the track showcases Carδamo’s evolving voice and fearless approach to performance. Already gaining momentum as a Roundhouse Resident Artist and with support from tastemakers like BBC Radio 1’s Jaguar, Carδamo is turning heads by making dance music that doesn’t just hit—it stings, seduces, and stays with you.
Senior Dunce – “Bestial”
Senior Dunce dives into the deep end of human instinct with Bestial, a funky house dance cut that pulses with unapologetic energy. California-based vocalist Cheshy brings smooth, soulful delivery, while Gimpado returns with gritty sub-vocals that elevate the track’s raw attitude.
The lyricism is bold—an admission of our untamed side, a reminder that we’re all tethered to primal instincts, and that acknowledging our flaws doesn’t make us less human, it makes us real.
Where the previous single City Centre flirted with restraint, Bestial is unshackled—ready to move bodies and minds on the dancefloor. Produced with crisp grooves, snappy percussion, and shimmering synths, the track reflects a creative rebirth: Senior Dunce stepping out from self-denial into full artistic presence. It’s a celebration of freedom in sound and spirit—part confession, part liberation, and wholly infectious. A bold twist in his evolving catalogue that embraces the wild and refuses to apologize.
The SKBs – “Where This Leads Us”
The SKBs’ debut album Where This Leads Us is a daring expedition through the many facets of modern roots music. Built around songwriter Al Sharp’s vision, the album unfolds like a curated sonic tour—country introspection, soulful grooves, cinematic rock, and even synth-laced balladry—all elevated by a rotating line-up of skilled musicians.
Few records wear such versatility so effortlessly, yet each track stakes its own claim. From the heartfelt country opener “Everything Must Change” to the gritty, anthem-ready “Dust in the Light,” the album moves with spontaneity and purpose.
The spotlight-stealing “Welcome to My Life” channels 1970s dance-floor drama with shimmering strings and swaggering bass, while “The Whale Edge” delivers a power-pop punch layered with rock grit. What keeps it grounded is the chemistry: Leon Cave’s drumming locks in tight as Si Marx and Sara Davey bring Sharp’s introspective lyrics to life with warmth and clarity. Where This Leads Us it’s an invitation to join The SKBs on a sonic adventure where every path offers something worth discovering.
Trisha Jha – “Empty Poetry”
Trisha Jha returns with Empty Poetry, a poignant, emotionally charged single that further cements her place as one of the most compelling young voices in indie-pop.
At just 15, she delivers a song that feels like a deep exhale—soft, introspective, and unfiltered. Building on the vulnerability of her debut Burden, this new track explores the emotional toll of lost words and broken connections, when poetry becomes a mirror of confusion and sorrow.
With minimalist production that leaves space for her voice to breathe, Empty Poetry lingers in the quiet moments where Trisha’s storytelling hits hardest. Her vocal delivery is fragile yet composed, balancing heartbreak and self-awareness with remarkable control. It’s an intimate, quietly powerful track that speaks to anyone who’s ever tried to make sense of their feelings through scribbled lines and restless nights. Trisha Jha may be young, but her songwriting is already something rare—honest, reflective, and deeply resonant.