HYPERSPACE: Best Discoveries of the Week – Episode 142
You Liang – “Maybe Tonight”
Some tracks just hit like a deep breath of fresh air, and “Maybe Tonight” is one of them. Tokyo-based DJ/producer You Liang has crafted an impressive melodic house gem that feels like a dreamy escape and sunset soundtrack. Floating on punchy basslines, airy pads, and those addictive plucks, the track builds with patience, carrying you into that golden-hour headspace where everything feels possible.
There’s no need for over-the-top drops here: the strength lies in its subtle layers and extremely clean production. Every detail, from the shimmers in the synths to the vocals weaving in and out, gives the song that unique twist that’s difficult to resist. It’s no wonder Don Diablo co-signed it as Track of the Week, or why Revealed/Gemstone picked it up: this one’s got global energy written all over it!
This tune is pure melodic bliss that keeps you hitting replay even if you are not a fan of the genre.
Golden South – “Exmouth Big Bang”
There’s something instantly sunny about “Exmouth Big Bang”, the debut drop from Devon’s own Golden South. It’s got that breezy, windows-down energy that makes you wanna grab a 99 Flake, park by the sea, and let the whole world drift for a minute!
Golden South is the new project of songwriter Anna Merriv, who somehow juggles school runs, ice cream queues, and twin-mum life while sneaking in lyrics that stick harder than sand between your toes. You can feel that lived-in warmth in this track: it’s heartfelt pop with a shimmer, riding on those classic, uplifting four-chord progressions that make you hum along before you even clock it.
The chorus hits with proper sparkle: catchy without trying too hard, big without losing its charm. It’s not over-polished; it’s real, radiant, and kinda addictive. Perfect for summer playlists, road trips, or just daydreaming about the sea. Golden South might be fresh on the scene, but she’s stepping in strong!
Elisa V – “Love of Yesterday”
When a violin steps onto a deep house beat, you don’t expect it to work this smooth, but Elisa V proves us otherwise with her debut single “Love of Yesterday”. Known worldwide for her classical chops and big-stage performances, she’s now flipping the script and sliding into her own lane as a recording artist.
The track blends her signature strings with a groovy low end, sharp percussion, and dreamy vocals from ellakate. It’s club-ready and heart-heavy, a song that feels made for late-night drives when you’re replaying old memories but still vibing with the future. There’s a bittersweet glow running through the whole thing: nostalgia wrapped in modern elegance.
Here, the violin isn’t just a pretty add-on; it’s front and center, carrying emotion and tension in a way synths alone could never. Bold, stylish, and soulful: this is Elisa V stepping out, not as a guest in the dance scene, but as a force of her own!
J Eden – “Dancing Through The Waves”
J Eden just dropped something crazy with “Dancing Through The Waves”. On the surface, it’s a bouncy dance track: thumping bass, sharp synths, and those euphoric drops built for packed dancefloors. But dig deeper, and you’ll find a song carrying way more weight: a raw story about navigating bipolar disorder and finding balance through the chaos.
J Eden has definitely leveled up his vision, fusing incredible storytelling with a house-driven pulse that feels both gritty and uplifting. The beat mirrors the journey: heavy lows, soaring highs, then locking into a steady groove that symbolizes strength. Layer in an empowering chorus and you’ve got a track that’s like a therapy session and rave anthem together.
It’s rare to find a dance song that hits you in the heart as hard as it hits your feet, but J Eden makes it look easy. This one’s a beam of light for anyone fighting through the storm, don’t miss this out!
Aircraft – “Idiot Love”
“Idiot Love” hits like a shadow creeping in at midnight: moody, cinematic, and heavy with emotion. Aircraft, the one-man project of Ukrainian-born, Berlin-based Daniel Merkulov, has been in the music industry for over a decade, but this time feels like a new peak in his evolution. Built on brooding guitars, ambient pads, and a drum machine heartbeat, the track drifts between light and dense layers like you’re moving through a tunnel, sometimes hazy, sometimes suffocating, always magnetic.
Daniel’s vocals carry a dark weight, leaning into that gothic edge without losing the human touch: a tune with a lo-fi grit, yet polished enough to cut straight through your chest.
What makes this incredible track stick with you is the balance of raw vulnerability and cold precision. It’s not just a track you play, it’s a space you enter, and once you’re in, you don’t really want to leave.
RIMENY – “I Can’t Talk to My Friends”
RIMENY’s latest project is insane, and the track “I Can’t Talk to My Friends” is pure retro alt-pop glow you’ll fall in love with: upbeat on the surface but carrying that bittersweet weight underneath. It’s the kind of track that gets your head nodding before you even clock the lyrics, then sneaks up with lines about distance, impatience, and trying to hold it all together.
Built on crazy percussion, glossy synths, and those spangly guitars, the song radiates a retro-tinged shimmer without feeling stuck in the past. The vocal delivery is incredible, but a little detached: like he’s purposefully putting space between himself and the words, which only makes the theme hit harder. And just when you think it’s wrapped, the sax outro slides in and takes it to another level of smooth.
This single is part of his “World as Myth” EP, and definitely feels like he’s flexing: confident, playful, and unafraid to show the cracks. Infectious, honest, and low-key addictive!
Kyrre Bjørdal Sæther – “Get Out”
Kyrre Bjørdal Sæther definitely makes a bold return with “Get Out”, a single that wastes no time digging under your skin. It’s melodic pop at its core, but dressed in a sleek retro style that feels familiar and fresh at the same time. The track captures the rush of breaking free from a toxic relationship: dramatic without being heavy, catchy without losing its bite.
Kyrre’s vocals are the real star here, we are not joking.. Stretching wide with both warmth and urgency, reminding us why he’s stayed relevant across decades in the game. His knack for lush vocal layers gives the hook an incredible lift, while the solid production keeps everything radio-ready. There’s a timelessness to his approach; you can hear echoes of McCartney’s melodic sensibility, paired with flashes of modern pop sheen.
After taking a breather, “Get Out” proves Kyrre hasn’t lost an ounce of spark. It’s a comeback that’s vibrant, relatable, and bound to stay!
the one named Jasmine – “Set Us Free”
“Set Us Free” feels less like just another single and more like a straight-up statement. The one named Jasmine takes her blend of R&B and rap and flips it into something soulful, dreamy, and raw.. We loved that! Over beautiful guitars and a steady groove, she cuts through with vocals that glide but still carry weight, putting the spotlight on what it really means to grow up in struggle.
What hits hardest here isn’t just the vibe, it’s the message. Jasmine isn’t afraid to call out the easy clichés people throw at low-income communities, pushing back on the idea that mindset alone fixes systemic problems. It’s personal, it’s political, and it’s delivered with a voice that knows both pain and resilience.
The track balances nostalgic textures with a modern polish, making it equally at home on a reflective late-night playlist or blasting through your speakers on repeat!
YGB – “United States vs Yayo Guns Blunts (Make Your Next Move) (Indictment)”
YGB’s latest drop “United States vs Yayo Guns Blunts (Make Your Next Move) (Indictment)”, is not just a normal rap album; it’s a whole storyline put to wax. Inspired by Pac’s grind and knocked out in just three days, YGB laid these tracks down under serious pressure, sometimes getting verses in one take. That raw urgency bleeds through every bar, and we loved that.
The project plays out like a courtroom drama, with skits and themes tied to the justice system while YGB spits vivid, street-rooted storytelling. You can hear the Magnolia Projects in his voice: every lyric feels lived-in, like he’s painting scenes straight from survival mode. Production is stacked too, with legends like Mannie Fresh, Timbaland, and Rockwilder helping craft beats that slap but still leave room for the message to breathe.
This album is a whole experience. Heavy substance, sharp writing, and a storyline that connects across his trilogy of albums. YGB’s proving he’s not just telling stories here, he’s living them.
