HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Seven
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Dax – “Man I Used To Be”
Dax is opening this episode with his new joint “Man I Used To Be”, and once again, he doesn’t disappoint us. Coming out of six months alcohol-free, Dax tapped into a level of clarity that bleeds through every lyric. We can definitely feel the weight of his journey: the honesty, the grind, the growth, all wrapped in a soulful R&B groove that flips the script on what folks might expect from him. Yeah, we know he can rap circles around most, but here? He literally sings, and that raw, emotional tone hits harder than any bar could.
Produced in Nashville by Jimmy Robbins, the instrumentation is stripped back but powerful: warm guitars, steady bass, and backing vocals that lift the whole thing without stealing the spotlight. It feels intimate, like you’re sitting in the room with him while he pours it out.
With the “Lonely Dirt Road Tour” coming in October, this release sets the stage for a new chapter. It’s vulnerable, it’s real, and it proves Dax isn’t just making songs; he’s telling stories that stick.
Sabrina Nejmah – “Deep End”
We’re now introducing Sabrina Nejmah, stepping out strong with her debut single “Deep End”, and it’s the kind of first impression that makes you stop and pay attention. At just 16, the Hamburg-born singer already shows a crazy mix of maturity and freshness. Written with her dad, Norman Astor (a jazz bassist himself), the track carries that timeless, jazzy undercurrent while still feeling modern and relatable. It’s all about breaking free from surface-level connections and chasing something with real depth: a message that hits no matter your age.
Musically, this single leans into a retro vibe with smooth chord progressions and a laid-back groove, but Sabrina’s voice is the real highlight: warm, emotive, and wise beyond her years. There’s a bittersweet edge in how she delivers it, balancing nostalgia with a hunger for something more.
It’s catchy, thoughtful, and straight-up impressive as a debut. If this is the starting point, Sabrina Nejmah’s future looks like it’s headed way past the shallow end.
Dale Frost – “Things You’re Not Sorry For”
Dale Frost’s new single “Things You’re Not Sorry For” hits like one of those late-night talks you didn’t plan on having, but end up needing. Living out in rural Georgia, Dale’s got a knack for pulling raw honesty out of everyday heartbreak, and this track is no different. It’s all about trying to forgive someone who never even bothered to say “my bad”: that messy, awkward middle ground where closure feels like DIY work.
The production is slow-burning, with laidback beats that hum under the surface, sweet one moment and sharp the next. It’s got that buzzing tension that feels like your chest right after a breakup: it’s unsettled but alive. Dale’s vocals cut right through, warm but carrying that slight rasp that says they’ve lived this story, not just written it.
There’s no sugarcoating here, no romanticizing the pain. Instead, Dale delivers it with resilience, wit, and a touch of small-town storytelling that makes the personal feel universal.
MrZnote – “Boathouse Row”
MrZnote’s “Boathouse Row” is a raw, confessional anthem that captures the emotional weight of self-discovery and acceptance. Drawing influence from icons like Eminem, DMX, Nas, and Jay-Z, he channels their lyrical honesty while carving out his own distinct voice.
The track blends vulnerability with determination, confronting years of feeling out of place and reclaiming the confidence to stand unapologetically in his truth.
Recorded entirely in his self-built home studio, the single carries a deeply personal resonance — every lyric and delivery feels intentional and unfiltered. With Petrofsky Beats on production and Madrug handling the mix, the sound is polished yet grounded, complementing MrZnote’s emotive storytelling. “Boathouse Row” stands as both a declaration and a turning point, marking the start of a new chapter for an artist who refuses to compromise his authenticity.
Mark Masguro – “B-Emo To be Emotional is not a Suggestion It is the Lifestyle.”
Mark Masguro’s album B-Emo: To be Emotional is not a Suggestion It is the Lifestyle is a cinematic and emotionally charged body of work that fuses nostalgic influences with a modern electronic sensibility.
Drawing from Italo-disco, hip-hop, trance, synth-wave, and cinematic ambient sound design, Masguro crafts a sonic palette that feels both timeless and fresh, with every track carrying a strong sense of personal storytelling. Songs like Whispers and Devil’s Trap highlight his ability to balance raw emotion with infectious energy, pulling listeners into a soundscape that is as danceable as it is reflective. Entirely self-produced in his home studio, the album reflects years of experimentation and dedication, blending analog textures with digital layers to create a distinct atmosphere that feels handcrafted and authentic.
What makes this record stand out is its ability to bridge the gap between memory and innovation, transporting listeners through a journey that honors Masguro’s past influences while carving out a bold, modern identity. It’s a project designed not just to be heard but to be experienced in full, offering moments of cinematic immersion that resonate long after the final track fades.
Kojo Rigault – “Cruisin”
Kojo Rigault’s cover of Smokey Robinson’s Cruisin’ is a smooth, reggae-infused reinterpretation that radiates charm and heartfelt intimacy.
Kojo’s soulful vocals flow effortlessly, capturing the romantic essence of the original while adding his own warmth and personality. The arrangement blends silky guitars, lush production, and subtle Caribbean influences, giving the track a fresh yet nostalgic feel.
The saxophone glides beautifully over the melody, adding depth and elegance that elevate the listening experience. This is the kind of tune that sets the mood perfectly, whether you’re driving at sunset, relaxing at home, or sharing a quiet moment with someone special.
Kojo manages to honour a timeless classic while imprinting it with his own signature style, making Cruisin’ feel both familiar and brand new.
Kristen Banana – “Lanternbones and Ghosts”
Kristen Banana’s debut album Lanternbones and Ghosts is a dream pop journey that lingers long after the last note fades. With cinematic textures and layered harmonies, Kristen crafts an immersive soundscape where grief, memory, and survival intertwine like shifting light through forest branches. Her breathy, intimate vocals carry the weight of personal transformation, drawing listeners into moments that feel fragile yet luminous.
Tracks like Aurora’s Dance shimmer with a sense of rebirth, capturing the awe of chasing Northern Lights alone in Alaska, while Mosslight glows softly, a tender meditation on finding quiet strength without the need to shine. Ghosts in the Evergreen brings haunting imagery to life, inspired by the discovery of a real plane wreck in the Alaskan wilderness, and You Tried to Fix Me stands out as a powerful reclamation of self, turning the sentiment of Coldplay’s Fix You into an anthem of healing on your own terms.
This is an album meant to be absorbed slowly, with headphones on and the lights low — an intimate companion for anyone learning to hold both loss and hope in the same breath. Lanternbones and Ghosts doesn’t just tell a story; it creates a world.
Pedro Mulix – “3 de Azucar y 2 de café”
Pedro Mulix comes through smooth and fiery on “3 de Azúcar y 2 de Café”, a track that feels like both a secret code and a straight-up invitation. It’s playful, it’s flirty, and it’s dripping with that late-night energy where romance turns into rhythm. Pedro calls it a “Kizomba romántica,” but it’s really his unique blend of Latin pop grooves with a touch of global flavor that makes it pop.
The arrangement is classic yet fresh: live drums giving it heartbeat, piano licks dancing on top, and melodies that just lift you up. You can tell Pedro’s pulling from his rich heritage and mixing it all into something that feels timeless but still current. The vibe is warm, textured, and straight-up irresistible, like that perfect balance of sugar and coffee the title hints at.
It’s more than just a song, it’s a mood-setter. The kind of track you spin when you want the night to lean into romance, smooth and effortless.
