HYPERSPACE: Best Discoveries of the Week – Episode One Hundred TwentyOne
Hey Space Travellers,
Welcome to Hyperspace Episode 121 — where sound travels faster than light and every track is a portal to somewhere new. This week, we dive deep into a sonic galaxy of indie gems, cosmic rock journeys, genre-blurring experiments, and raw emotional transmissions. Whether you’re here for the riffs, the synths, or the soul-stirring lyrics, buckle up: there’s a whole universe waiting to be discovered.
Plug in, turn up, and get lost—this is HYPERSPACE.
CKH – “Superposition”
CKH’s latest release “Superposition”, is a masterclass in precision and atmosphere, blending deep electronic textures with a concept rooted in quantum physics. This incredible track explores the idea of existing in multiple states at once: mirrored by the layered synths and shifting rhythms that define its sonic landscape.
With a fiercely individual sound and unwavering dedication to quality, CKH delivers a piece that’s cerebral and club-ready. “Superposition” isn’t just a normal song, but a seamless intersection of science and sound, style and substance. Fans of CKH’s previous work will find familiar depth here, but with a new conceptual twist that resonates on a global scale.
In an industry chasing trends, CKH stays anchored in authenticity, releasing music only when it’s fully realized. The result? A timeless, genre-defining experience that you guys can’t miss out on.
The Cravens – “Big Ole Sky”
It’s time for The Cravens now, which brings us a refreshing dose of optimism wrapped in breezy melodies and heartfelt storytelling with their new single “Big Ole Sky”. Written by brothers Bill and John Storch, the track captures a rare blend of innocence and reflection, encouraging listeners to embrace change and chase dreams under an open sky. Drawing inspiration from a longtime friend, the lyrics resonate with sincerity and depth, all while keeping things incredibly catchy.
The band’s signature sound features layered guitars and warm harmonies, all recorded across sessions in Palm Beach Gardens and Lake Worth in Florida. The production technique (stacking guitar parts with varying effects) adds a rich, textured feel that pulls you in.
As the lead single from their upcoming album “Strangers To The Truth” which will be released next month, “Big Ole Sky” is a beautiful tribute to freedom, resilience, and the joy of moving forward, and if you enjoyed this one, you definitely must stay tuned for their next tunes!
TaniA Kyllikki – “I AM Good Enough”
From the first note, “I AM Good Enough” by TaniA Kyllikki lets you know it’s about to get real. This ain’t just another ballad: it’s soul-deep, healing energy wrapped in a stunning vocal performance. Dropped a few weeks ago as the fourth single from her upcoming “Free-Spirited” album, this track is pure therapy! TaniA’s vocals soar with raw emotion, and when her husband Rynellton slides in on harmonies? It’s pure magic.
The production stays smooth and lowkey, letting the lyrics hit right where they need to. The chorus is something that sticks with you like a mantra. For anyone who’s ever wrestled with self-worth, this song feels like being seen for the first time. TaniA doesn’t just sing here, she speaks truth, lifts hearts, and sets souls free.
This is definitely more than music; it’s a whole moment, and it proves one thing loud and clear: she’s not just good enough, she’s phenomenal!
Christopher Rodriguez – “The Message”
Christopher Rodriguez brings us his track “The Message”, a spiritual slow-burn that hits different. Recorded in his hometown of Pueblo, Colorado (aka the home of heroes), this track isn’t just music, it’s a mission. With ambient textures, lo-fi vibes, and a calm but commanding flow, Christopher delivers a raw, heartfelt sermon for anyone ready to wake up. Inspired by the weight of Passover 2025, his bars urge listeners to look deeper, feel stronger, and reconnect with truth.
The production is minimal but magnetic: muffled vocals echo like distant memories before clean, centered verses cut through. Lines like “The message is clear, wipe away your tears and open your eyes” land with a quiet force, staying with you long after the beat fades. There’s no fluff here, just a real one sharing restoration, redemption, and faith over steady rhythms.
This song is a timestamp, a calling, and a universal reminder. Rodriguez said it best himself: “The message is clear.”
Carlos Ucedda – “BLACK ROSE. Your Chastity (Part Two)”
Did anyone say Carlos Ucedda? Yes. He’s back with “BLACK ROSE. Your Chastity (Part Two)”. This is a full-on emotional deep dive: dark, raw, and totally unfiltered. This track marks the second half of his mind-bending Proyecto <2>, a two-part sonic journey that plays with duality like yin and yang. While the first part explored one side of human isolation, BLACK ROSE flips the script, diving headfirst into the chaos of love, guilt, and obsession.
With deep German techno vibes, a touch of house, and that unmistakable Carlos flair (you know the vibe), this one’s all about a broken relationship unraveling like a dying rose, wrecked by infidelity and haunted by chastity. There’s this eerie tension throughout, as if you’re trapped in a loop of regret, desire, and mental spirals. It’s intense… in the best way.
From the studio to the screen, Carlos pours every drop of himself into this piece. As he says: “Busco luz en sonido de notas”, and trust us, he found it in the darkness. This one’s a trip!
Alan Lauris – “Break”
Utrecht-based artist Alan Lauris returns with Break, his third album and most personal work to date. Released on April 11, 2025, via Canal Island Records, Break blends melodic piano pop with touches of electronic and classical influence, drawing comparisons to Leonard Cohen and Pink Floyd. Written over nearly three decades, the album explores life’s breaking points—heartbreak, reinvention, and resilience—with honest, emotionally rich songwriting.
Featuring collaborations with lyricists like Brian Lo SinSjoe and John Couhlan, and contributions from musicians like Leo Sienot (guitars) and Joe Giddey (cello), Break is a layered, thoughtful listen.
ùLauris’ meticulous production shines, delivering an album that feels both timeless and deeply human.
Larry Karpenko – “The River”
Larry Karpenko’s “The River” paints a vivid picture of peace and spiritual longing, using the Shenandoah River as its lyrical and emotional anchor.
Soft harp and piano melodies evoke a sense of calm, leading listeners into a reflective space. As the song unfolds, it shifts beautifully into a deeper spiritual metaphor, comparing the river’s steady flow to divine love. A powerful choir, brass, and orchestral percussion lift the piece into a triumphant hymn-like finale, seamlessly weaving in “Shall We Gather at the River” to stunning effect.
Karpenko’s storytelling and emotive arrangement offer a moving, heartfelt experience that feels both timeless and intimate.
Dawhole lb – “Ion trust shih”
With “Ion trust shih,” Dawhole lb delivers a raw, no-holds-barred anthem that speaks directly to the realities of loyalty, betrayal, and survival. Collaborating with Block Cheez and Bossman Smoke—friends and family bound by more than blood—the trio lays down a powerful track fueled by real-life experiences.
Inspired by heavyweights like Go Yayo and Big Yavo, “Ion trust shih” is packed with gritty beats, infectious hooks, and a swagger that feels both authentic and commanding. Recorded at Blocklyfe Studios in Lancaster, Texas, and created entirely in the moment without written lyrics, the track captures an unfiltered energy that hits hard from the first bar.
Dawhole lb is carving out his lane with a voice that’s sharp, original, and impossible to ignore.
Richy McLoughlin – “It’s Strange (Funny How)”
Richy McLoughlin returns with “It’s Strange (Funny How),” an effortlessly cool and understated lead single from his upcoming album Arise. Blending retro synthwave, folk-pop, and alt-rock into his signature style, McLoughlin dives deep into themes of memory and identity, inspired this time by the ITV drama Joan. With slick, understated production and an emotional undercurrent, he delivers what he calls his “coolest and sexiest song so far.”
The track feels intimate yet cinematic, offering a glimpse into the evolving soundscape McLoughlin has been carefully crafting across his career. With a U.S. radio push through Caster and a feature on Breaking Sound Radio, “It’s Strange (Funny How)” is set to connect with longtime fans and new listeners alike, solidifying McLoughlin’s place as one of London’s most exciting indie voices.
Talking To Sophie – “Galaxy”
Talking To Sophie unveils a deeply personal and emotional single with “Galaxy,” blending mellow, soft vocals and guitar work influenced by Tom Delonge and Rupert Holmes. Inspired by profound loss, the track offers a moving lyrical journey, channeling the introspective storytelling of Death Cab For Cutie. Recorded in his own studio, “Big Birds Nest,” nestled in an old bakery,
Talking To Sophie captures an authentic, raw atmosphere, with the Shure SM7B microphone bringing a new warmth to the lower vocal range. “Galaxy” isn’t just a song—it’s a heartfelt tribute, an imaginary road trip through memory and grief, anchored by honest songwriting and evocative melodies. A poignant and standout moment in Talking To Sophie’s evolving artistry.
